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Jean Guillou

Jean Guillou was probably one of the most prominent and respectable organists in European countries, nonetheless it took the Compact disc boom from the past due 1980s to carefully turn him into something of the recording star. Guillou moved into the Paris Conservatory in 1945, learning keyboard and structure with educators including Marcel Dupré, Olivier Messiaen, and Maurice Duruflé. In 1953, at age group 23, he became a member of the faculty from the Intituto de Alta Cultura in Lisbon. In 1958, Guillou shifted to Western Berlin, where he founded himself like a recitalist and in addition published his 1st unique compositions for single body organ and chamber ensemble. In 1963, Guillou was appointed organist in the Chapel of St. Eustache in Paris, a posture he has already established since. He consequently toured Eastern European countries, Japan, and america. His recitals became renowned for his or her inventiveness and wit, Guillou openly intermingling his interpretations of functions by Johann Sebastian Bach and César Franck, and preparations of non-keyboard functions by composers such as for example Franz Josef Haydn, aswell as his personal unique compositions. Guillou’s shows are noted for his or her dramatic flair and showmanship, which includes produced him something of the flamboyant superstar on his device. Being a composer, he provides written numerous parts that explore the sonorities from the organ in conjunction with various other instruments, like the cello in his Fantasie Concertante and with soprano in his Andromeda, predicated on the task of Gerard Manley Hopkins. He in addition has created concerti for the piano, a musical instrument where he is completely proficient though much less celebrated, and authored an oratorio, THE FINAL Wisdom (1965); one symphonic function, his Judith-Symphonie (1971) for mezzo soprano and orchestra; and Hypérion (1987) for body organ and orchestra. He in addition has revived the main keyboard functions of Julius Reubke, students of Franz Liszt who passed away tragically youthful. Guillou provides created books on body organ performance and the annals and style of the device and it is well-known inside the music community as a respected scholar, conducting worldwide professional classes in Zurich since 1970. He provides made many acclaimed recordings which have gained him recognition all over the world. For Philips, he documented such functions as Alice au will pay de l’orgue, a musical trip motivated by Lewis Carroll’s Alice in Wonderland, as well as the Fantasie Concertante. He in addition has done extensive documenting for the audiophile Dorian label — the last mentioned include his shows of Bach’s Goldberg Variants and own body organ transcriptions of Igor Stravinsky’s Petrushka and Modest Mussorgsky’s Images at an Exhibition — the last mentioned disc found a particularly large audience through the Compact disc boom from the past due 1980s, both due to the work’s natural popularity so that as a significant follow-up to rock and roll organist Keith Emerson’s Moog synthesizer-based method of the task from 2 decades previous. This activity overlapped with Guillou’s shows of the entire solo organ functions of Bach with the composer’s tercentenary. Guillou retired from teaching in 2005, but is constantly on the compose, perform, and record.

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