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Jean-Baptiste (Baptistin) Stuck

Despite his Franco-German-sounding name, Jean-Baptiste Stuck was Austrian-Italian, analyzed primarily in Italy, and produced his fortune composing for the Parisian theater in the 1710s. In his “Confessions,” Jean-Jacques Rousseau described him as “Batastin,” the diminutive of “Baptiste.” Stuck was utilized by multiple courts inside the French nobility, like the courtroom of Philippe II, the Duke of Orleans, who offered as Regent in France from 1715. Eventually, Stuck moved in to the service from the Royal Courtroom, though shortly following the Regent’s loss of life in 1723, he appears to have discontinued composition and only working being a virtuoso cello participant. Grove’s disputes the oft-repeated declare that Stuck was the first ever to play the cello on the Paris Opéra, around 1730, though it concurs that Stuck’s reputation as cellist most likely offered an help the decline from the bass viol in Paris. Stuck’s operas appreciated an even of relative achievement ranging from just moderate to failing; it was actually his secular cantatas, frequently performed on the opera, that produced his reputation being a composer. The best-known of the today is certainly Héraclite et Démocrite, a unique dialogue between allegorical people representing optimism and pessimism.

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