A fixture for the Baltimore experimental picture, Jason Urick began executing single ambient dronescapes beneath the name themoonstealingproject in the past due 1990s. In the middle-2000s, he became a member of noise-pop improvisers Wzt Hearts (pronounced “Damp Hearts”), adding live control and laptop computer manipulation towards the group’s open-ended post-rock wanderings. When Wzt Hearts disbanded in 2008, Urick reverted to single setting, crafting glacially sluggish compositions influenced by minimal techno pioneers like Skillet Sonic, Ryoji Ikeda, and Fennesz. The effect was his 2009 debut recording for Thrill Jockey, a assortment of four gradually unfolding digital drone items entitled Husbands. The cover artwork for Husbands (Urick’s 1st release released under his provided name) was an appropriation of John Lennon & Yoko Ono’s notorious Two Virgins recording artwork, with Urick’s encounter superimposed onto the nude physiques of both John & Yoko. This year 2010, he adopted with Fussing & Fighting with each other, an album influenced by a continuing obsession with dub reggae as well as the relationship of dub and minimal techno by works like Tempo & Sound. Urick’s undertake this hybrid audio was characteristically slow-paced. The dub obsession continuing on 2011’s Name King, a cooperation between Urick and Cex released on cassette just. After many years of home in Baltimore, having turn into a essential figure on the neighborhood music picture and arranging the functionality space Floristree, Urick loaded up and transferred locale to Portland, Oregon. This transitional period was reported to be the motivation for his eerie and displaced, 2012 full-length I REALLY LIKE You.