Cellist Janel Leppin and guitarist Anthony Pirog attended the same senior high school in Vienna, Virginia (outdoors Washington, D.C.) through the 1990s, but didn’t start playing music jointly until their high-school years had been in it. Leppin was raised in Wedderburn, a grouping of little cottages inside a secluded wooded region that had progressed into a skill colony of types, and during her university years she’d invite close friends, including Pirog, to her cottage to try out both created and improvised music. Leppin gained a qualification in cello efficiency from George Mason College or university in Fairfax Region, Virginia; in the meantime, Pirog had researched jazz acoustic guitar at Berklee before attaining a qualification in jazz efficiency from N.Con.U. in 2004. While pursuing distinct paths within their educational pursuits — Leppin explored North Indian, Persian, and Japanese traditional music and Pirog was attracted to avant-garde jazz and experimentalism — playing music collectively at Wedderburn exposed the pair to become sympathetic collaborators, plus they started carrying out as Janel & Anthony at D.C. region locations in 2005. The next yr they self-released an eponymously entitled Compact disc (reissued on vinyl by Cricket Cemetery Information in 2011), and consequently Leppin and Pirog had been active as operating musicians both within their duo task and in distinct endeavors with additional performers. They performed as Janel & Anthony at a number of East Coast locations and embarked on intensive touring, while separately the two taken care of busy schedules carrying out and documenting with other music artists across a broad spectral range of experimental, contemporary classical, globe music, jazz, and rock and roll genres and designs. Amidst all of this activity, Janel & Anthony got time more than a three-year period to full their sophomore recording at a Washington, D.C. region analog recording studio room. Released by Cuneiform in-may 2012, Where Can be Home features not merely Leppin on cello and Pirog on acoustic guitar, but extensive usage of loops, consumer electronics, and other equipment including koto, harpsichord, accordion, and detuned autoharp (Leppin) and electrical sitar, bass, mandolin, and lap metal (Pirog). The effect is normally a deeply split and atmospheric function coming in contact with on the music artists’ mixed musical affects and passions, imbued with a feeling of representation and desiring — as Leppin provides defined it — “a fresh, deep-seated house,” particularly provided the razing of Wedderburn to create way for brand-new suburban casing in the higher Washington, D.C. area’s growing market (national casing bubble notwithstanding).