b. 5 June 1914, Milwaukee, Wisconsin, USA. Sager began playing violin with age 10 was noticed on radio. A personal injury to her remaining hand, triggered when she was knocked from a bike, prompted a big change of device. She find the trumpet, even though this might possess seemed a unusual choice for a little woman in the 20s, it had been decidedly fortuitous. Soon she was playing in regional dance rings, the additional members which had been all male. Later on, she analyzed violin at Stevens University in Chicago and in the American Conservatory of Music. Her trumpet tuition was concurrently in the classics and jazz. As she informed article writer and broadcaster Sally Placksin, in American LADIES IN Jazz, ‘I analyzed with the 1st [-seat] trumpet participant in the Chicago Symphony Orchestra and Roy Eldridge at exactly the same time.’ An extremely accomplished trumpet participant, in the mid-30s Sager played in a number of all-female rings, including that led by Rita Rio. Sager was also an associate of bands which were usually all male. In 1940, she used the Chicago Females’s Symphony Orchestra and was also an associate of the all-female music group led by saxophonist Bernice Small. When the music group’s agent recommended that they hire Ada Leonard as their head, Sager was instrumental in persuading her hesitant colleagues to provide the burlesque dancer an opportunity. She proceeded to go further, training Leonard in the requirements of showing up to carry out the music group and therefore helped assure their achievement when Ada Leonard’s All-American Female Orchestra became possible. As the music group’s highlighted trumpet soloist, Sager continued the hugely effective USO tour that produced the music group’s name. Sager’s solos included her very own undertake the currently well-known Harry Adam feature, ‘Trumpet Concerto’. During layovers in NY, Sager spent her leisure time in Harlem. The respect with which she was viewed by her fellow music artists, and trumpeters specifically, can be motivated from the actual fact that she was pleasant to sit along with musicians such as for example Oran ‘Scorching Lips’ Web page and Rex Stewart. When the Leonard tour finished, Sager quit the music group and visited reside in Los Angeles, motivated at first to activate in factory function to help expand the war work. However, even more musical function beckoned, including a spell using the music group led by Johnny Richards. Sager regarded this to be always a showcase of her profession, although it had taken a whole lot of perseverance to convince Richards as well as the various other sidemen that she could get the job done at least aswell as any guy. She also caused tenor saxophonist Peggy Gilbert AS WELL AS THE Victory Belles, do studio function in movies and on radio, and opened up her personal teaching academy in Hollywood. Sager was briefly using the International Sweethearts Of Tempo, watching to Placksin, ‘I never really had so very much fun in my own life.’ By the end of Globe Battle II, Sager worked like a music therapist with hospitalized troops. In the 50s, she was an associate from the music group led by Ina Ray Hutton, performed in Charlie Barnet’s music group and been successful Bobby Hackett in Katharine Dunham’s music group. In the middle- and past due 60s, she led an all-female novelty music group, the Frivolous Five. In the mean time, she continued to instruct. Sager stayed energetic in music in to the 90s, vividly recounting her encounters to article writer Sherrie Tucker in Golf swing Change. A strikingly gifted participant and instructor, Sager’s long profession brought her substantial admiration from her peers, man and female. It really is a unfortunate representation upon the attitude from the music business and culture in general a musician with this amount of talent must have continued to be so relatively small recognized to the globe at large. Acquired she been a guy, she would certainly have already been fêted, and thoroughly recorded.