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Jan Leder

Queens-born jazz flutist Jan Leder demonstrated musical talent from an early on age, tapping out melodies in the family members piano at age 3 and quickly surpassing her old siblings when, at age five, she began piano lessons (which were to last 6 years) with her classically educated mother. It had been not really until junior senior high school, nevertheless, that Jan Leder initial found her current device, the flute. In her formal lessons, she examined traditional flute (including 3 years with flutist/conductor Paul Dunkel) however in her leisure time, she trained herself to improvise rock and roll & move and pop/R&B music alongside regional guitarists in New York’s Central Recreation area. Leder was only 17 years of age when she began monitoring with famous jazz pianist Lennie Tristano, with whom she continuing until his loss of life in 1978. Although Leder credits Tristano with assisting her enter into her very own being a musician, actual recognition and industrial success had been to elude her before past due 1990’s. She got her 1st big break when Friend Scott and co-workers from Monad information noticed her playing in the Dockside in Tarrytown, NY in 1994. Leder’s tape of the live day with Artwork Lillard as well as others in the Five Place in NY so impressed Scott, that he authorized her to a Monad Information agreement and released the live documenting intact as the Compact disc Passage to Independence. Unfortunately, Passing to Freedom, which include some really good function by drummer Lillard, pianist Jon Davis, bassist Yosuke Inoue, and guitarist Tag McCarron, premiered just like Monad Records fulfilled its demise, departing Leder’s debut work mainly unavailable and undetected for near 2 yrs. In 1998 and 1999, publicity via the web brought her towards the attention of the wider target audience and gained her very beneficial reviews for Passing to Independence. In 1998, A-Records vocalist Diane Hubka documented Leder’s original structure “Thinking about You” on her behalf personal debut Compact disc, Haven’t We Met, that was nominated for any Jazz Award in the very best Debut Compact disc category. Leder’s contribution to Hubka’s Compact disc ultimately resulted in her putting your signature on a recording agreement with A-Records, a department from the Dutch label, Problem Information. In 1999, Jan Leder released her second Compact disc, Nonchalant, which she added the abilities of NY bassist Sean Smith, percussionist Daniel Moreno, and vocalists Angela DeNiro, Mary Foster Conklin, and Cleve Douglass towards the already solid instrumental abilities of Passing to Independence collaborators Lillard, McCarron and Davis.

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