Though he’s little known beyond New Orleans rather than recorded an album under his own name, drummer James Black was a Crescent City legend with the capacity of performing from complex modernist jazz to gritty funk. An achieved composer aswell, Dark had a status to be an irascible bandleader, intimidating along with his character as much as his skill. Given birth to in New Orleans on Feb 1, 1940, Dark assimilated the city’s brand “second collection” rhythms from a age group, and by the first ’60s had been doing session function for famous brands Fat Domino. His primary curiosity was jazz, nevertheless, and he performed in an organization with the youthful Ellis Marsalis on piano and Nat Perrilliat on sax. Nat Adderley (along with sibling Cannonball) utilized all three on his 1962 program In the Handbag, to which Dark added two compositions. The next season, Marsalis cut an underrated record of contemporary jazz known as Monkey Puzzle; this time around out Dark handled four from the seven compositions, like the intricate 5/4 piece “Magnolia Triangle,” which rates as probably his greatest function. Dark went on to try out with Yusef Lateef and Lionel Hampton in the mid-’60s, although his profession was interrupted with a stint in the Angola Condition Penitentiary (where time he in fact played within a jail music group with blues pianist Adam Booker and saxophonist Charles Neville). In the past due ’60s, Dark paid the expenses with R&B gigs around New Orleans, and in 1968 captured on on the Scram label as a residence drummer. He performed on Eddie Bo’s “Hook and Sling,” rendering it among the fun new Orleans funk singles, and shortly had taken his place alongside Smokey Johnson as well as the Meters’ Ziggy Modeliste among the city’s best funky drummers. On the other hand, he continued to try out jazz privately within Ellis Marsalis’ music group ELM Music Firm; they used residency at Lu and Charlie’s from 1972 and became regional favorites. Through the ’70s, Dark also led his very own group, the Adam Dark Ensemble, which frequently highlighted his longtime partner “Sister Mary” Bonette on vocals. He attempted many times to record a full-length record, including once for the Sound of New Orleans label and another period at Allen Toussaint’s studio room, but the periods never advanced beyond several tracks. Dark continued carrying out in New Orleans in to the ’80s, still using Ellis Marsalis (aswell as Marsalis’ then-teenage pupil, Harry Connick Jr.); he also offered as the drummer for the 1982 Marsalis Family members recording Fathers and Sons. Dark died of the medication overdose on August 30, 1988. In 2002, the night time Train label put together a compilation of mainly unreleased songs, many from Black’s aborted LP classes; I WANT Altitude: Rare and Unreleased New Orleans Jazz and Funk, 1968-1978 went the gamut from weighty funk and psychedelic spirit to soul-jazz, and presented many of the drummer’s personal vocals. In the springtime of 2003, Ellis and Wynton Marsalis offered an application of Dark compositions within the Jazz at Lincoln Middle series.