French lutenist and composer Jacques Gallot was referred to as “le vieux Gallot de Paris” (older Gallot of Paris). He and his sibling, Alexandre Gallot (“le vieux Gallot d’Angers”) had been created in the 1620s, most likely sons of lutenist Antoine Gallot who offered in the Polish courtroom until 1647. Gallot most likely studied along with his dad and certainly with eminent French lutenist Ennemond Gaultier, to whom Gallot devoted his Allemande le Bout de l’An de M. Gaultier. Gallot was linked to the French courtroom of Louis XIV, “SUNLIGHT Ruler,” as he made up many tombeau and other styles of tributes to individuals owned by its retinue. Gallot’s music is well known from two primary sources. The foremost is his 1684 publication Items de Luth Composéés sur differens settings, focused on French Vice Admiral Victor-Marie d’Estrésera; it appeared past due in Gallot’s existence, but the items within likely period an interval of some 30 years. The additional is definitely a manuscript, situated in the Deutsches Musikarchiv in Leipzig, comprising numerous items ascribed to le “vieux Gallot,” and spread throughout European countries are additional manuscripts with attributions to “Gallot” without indicator of who inside the family members was in charge of a given function. Gallot was a pioneer in the French personality piece, and in Items de Luth Composéés sur differens settings he grouped the items by key, recommending set up into suites. Gallot passed away soon after 1690, and Robert de Visée made up a tombeau in his memory space.