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Jacques Charpentier

Charpentier studied Hindu music in Bombay and Calcutta in 1953 – 1954 and afterwards attended the Paris Conservatoire, learning with Aubin and Messiaen. His music is normally a combined mix of these affects. The majority of his functions derive from the Carnatic settings, those that consist of all the feasible seven-note scales using intervals of 1, two, or three semi-tones. A good example of this is actually the karna kangi setting that’s C – D toned – E dual toned – F – G – A set – B dual flat. The impact of Messiaen is seen in his usage of tranquility, rhythm, organ design, and theology. Furthermore to his compositional function, Charpentier has offered as an organist so that as an inspector of music for the French Ministry of Cultural Affairs.

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