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Jacob Fred Jazz Odyssey


When novices uncover the experimental music from the Jacob Fred Jazz Odyssey, they’re surprised to discover that there is absolutely no one named Jacob Fred — the group’s name is intended to become clever and ironic. Novices also find out that this Tulsa, Oklahoma outfit’s mildly avant-garde mixture of jazz, rock and roll, and funk pulls on a multitude of affects; JFJO have already been inspired by everyone from electrical Mls Davis and Jimi Hendrix to Sunlight Ra, John Coltrane, Cecil Taylor, Larry Youthful, and John Scofield. Frequently quirky, eccentric, and abstract, JFJO favour an inside/outside strategy but are often even more inside than outside. JFJO don’t play atonal free of charge jazz, but at exactly the same time, no-one will mistake the Oklahoma citizens for retro-boppers who play a whole lot of Tin Skillet Alley specifications. JFJO were shaped in Tulsa in Feb 1994, that is when Brian Haas (keyboards, piano) became a member of makes with Reed Mathis (electrical bass). Both Haas and Mathis have been classically been trained in their pre-JFJO times; Haas, actually, had performed Beethoven’s Second Piano Concerto using the Oklahoma Town Philharmonic when he was just 17. But despite the fact that using a traditional orchestra when he wasn’t aged plenty of to vote appeared good on the réamounté, Haas recognized that he didn’t desire to be a full-time traditional pianist — he discovered the European traditional tradition to become rigid and yearned to try out music that happy his have to improvise. Therefore he produced jazz his primary concentrate, and after conference Mathis, Haas found that the fellow Tulsa citizen had similar likes. Although both wished to have a jazz-oriented strategy, neither had been jazz snobs — both of these also appreciated rock and roll and funk. After developing JFJO, Haas and Mathis became a fixture around the Tulsa picture (where they performed mainly instrumental music but occasionally presented rappers). Haas and Mathis quickly became the primary of the group, although JFJO also presented a bunch of different improvisers on the way, through the ’90s including trumpeter Kyle Wright, trombonist Matt Leland, percussionist Matthew Edwards, and drummer Sean Layton, most of whom possess since remaining the group. JFJO’s debut recording, Live in the Lincoln Continental, arrived in 1995 and was accompanied by Reside in Tokyo in 1996. The group’s best-known & most broadly distributed ’90s launch, nevertheless, was Welcome House, a live recording that was documented for Accurate in 1998. That Compact disc was accompanied by Mama’s Home and Bloom in 2000 and Self IS FULLY GONE in 2001. From then on came All Is usually One: Reside in NEW YORK, which was documented live at New York’s Knitting Manufacturing plant in March 2002 and released by Knitting Manufacturing plant Records four weeks later. All in a single marked the introduction of fresh drummer Jason Wise, who would stay using the group until 2007, when he was changed by Josh Raymer. JFJO produces through the 2000s included 2004’s Strolling with Giants, 2003’s Symbiosis Osmosis (a completely improvised live disk including four visitor saxophonists) and Decrease Breath, Silent Brain (including interpretations of seven jazz specifications), 2006’s The Sameness of Difference (with materials which range from originals towards the music of Jimi Hendrix, Charles Mingus, and Dave Brubeck), and 2008’s Lil’ Tae Trips Again. In ’09 2009 longtime bassist Mathis still left JFJO (within an amicable parting), which year’s 1 DAY in Brooklyn — released in the band’s Kinnara label — highlighted beginners Matt Hayes on acoustic bass and Chris Combs on electrical and lap metal guitars. Stay Yellow metal came on Kinnara this year 2010, exactly the same season the group announced the substitute of Hayes with brand-new dual bassist Jeff Harshbarger. A season later, JFJO came back with Competition Riot Suite, having a visitor appearance from Sex Mob trumpeter Steven Bernstein. In 2013, Haas stripped the ensemble right down to a trio with Combs and drummer Josh Raymer. The entire year 2014 saw the discharge of two JFJO albums using the Record Shop Time vinyl-only concert record Millions: Reside in Denver at DazzleJazz along with the studio room album Worker.

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Music Songs Seansong, Appropriation Song, Better Living Through Competitive Spirituality, Black Wall Street, Skeeball Over the Ocean, Betamax, Grandfather's Gun, Daily Wheatgrass Shots, Drethoven, Happiness Is a Warm Gun, Hey Hey Nsa, The Sensation of Seeing Light, The Finder's Keeper, Stay Gold, Trampoline Phoenix, Lost in the Battle for Greenwood, New Bird, Slow Breath, Silent Mind, Walking With Giants, Say Nothing, Halliburton Breakdown, Hamby's Window, Eye of the Dove, Let Yourself Out, Song for Lauren, Goodnight ollie, Song of the Vipers, Son of Jah, Council Oak, This, Our Home, Nibbles, Perfect Wife's Flannel PJ's
Albums Race Riot Suite, The Battle for Earth, The Sameness of Difference, Lil' Tae Rides Again, Self Is Gone, Symbiosis Osmosis, All Is One Live in New York City, Winterwood, Slow Breath, Silent Mind, Live at the Lincoln Continental, Stay Gold, Worker, Welcome Home, Lil' Tae Rides Again / Live, Four Improvisations For The Ghosts, One Day in Brooklyn, The Race Riot Suite, Bloom - '96-'98, Telluride Is Acoustic
Nominations Independent Music Award for Best Album - New Age

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Hitting the High Notes: 2004 High Sierra Music Festival 2005 Video documentary Themselves

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