Biography
An inventive and self-taught participant on acoustic six-string, 12-string, and lap metal guitar, Jack port Rose was considered area of the so-called Takoma revivalist motion that echoes the frequently Eastern-tinged classical guitar tests of John Fahey, Robbie Basho, among others, although Rose got his start like a musician within an entirely different path, first like a rock and roll and punk-inspired electrical guitarist within the Richmond, VA, drone trio Pelt. Pelt released some albums from 1995, but while officially staying a member from the music group, Rose started a solo profession as an acoustic guitarist with Hung Significantly Low (a self-released CD-R) in 2001, pursuing it with Crimson Equine, White Mule on Eclipse Information that same yr; Dr. Ragtime (another CD-R concern) and Opium Musick (on Eclipse) in 2002; Raag Manifestos (the LP made an appearance from Eclipse using the Compact disc designated to VHF Information) in 2004; Kensington Blues (Eclipse/VHF) in 2005; and Heraldic Beasts, the live Skullfuck/Bestio Tergum Degero, and Jack port Rose & the Dark Twig Pickers (all on Eclipse) in 2006. Gorgeous Happiness reissued Crimson Horse, White colored Mule and Opium Musick collectively as Two Originals Of in 2004 and combined Dr. Ragtime & Pals and Jack port Rose & the Dark Twig Pickers — the very first two elements of what he humorously known as his “Ditch Trilogy” — for another mixed reissue in 2008. Rose’s burgeoning profession was cut brief when passed away on Friday, Dec 4, 2009, of the coronary attack. He was 38 yrs . old. In Feb 2010, the final section of that trilogy, Good fortune within the Valley, premiered by Excitement Jockey. Scant weeks later on, Thurston Moore of Sonic Youth released a Rose tribute recording, 12 String Meditations for Jack port Rose.
Quick Facts
- Facts
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- Pictures
# | Fact |
---|---|
1 | With Felicia Patricia Farrow, he had two children: Jonathan and Felicia Rose. He later adopted Melissa Rose with his second wife, Audrey Rose. He is the grandfather of Sara Britowich. |
Writer
Writer
Title | Year | Status | Character |
---|---|---|---|
The 55th Annual Academy Awards | 1983 | TV Special | |
The 54th Annual Academy Awards | 1982 | TV Special documentary | |
The Great Muppet Caper | 1981 | written by | |
Lost and Found | 1979 | written by | |
The Duchess and the Dirtwater Fox | 1976 | screenplay | |
A Touch of Class | 1973 | written by | |
The Good Guys | TV Series creator - 42 episodes, 1968 - 1970 writer - 2 episodes, 1968 - 1969 | ||
A Talent for Loving | 1969 | screenplay | |
Who's Been Sleeping in My Bed? | 1963 | written by | |
Papa's Delicate Condition | 1963 | writer | |
Who's Got the Action? | 1962 | ||
On the Double | 1961 | written by | |
It Started in Naples | 1960 | screenplay | |
The Five Pennies | 1959 | screenplay | |
Houseboat | 1958 | written by | |
Beau James | 1957 | ||
The 28th Annual Academy Awards | 1956 | TV Special | |
The Seven Little Foys | 1955 | written for the screen by | |
Living It Up | 1954 | screenplay | |
Trouble Along the Way | 1953 | screenplay | |
April in Paris | 1952 | story "Girl from Paris" - uncredited / written by | |
Room for One More | 1952 | screenplay | |
I'll See You in My Dreams | 1951 | written by | |
On Moonlight Bay | 1951 | screenplay | |
Riding High | 1950 | additional dialogue | |
The Daughter of Rosie O'Grady | 1950 | screenplay / story | |
Always Leave Them Laughing | 1949 | screenplay | |
The Great Lover | 1949 | written by | |
It's a Great Feeling | 1949 | screenplay | |
Sorrowful Jones | 1949 | screenplay | |
The Paleface | 1948 | additional dialogue | |
Road to Rio | 1947 | original story / screenplay | |
My Favorite Brunette | 1947 | original screenplay | |
Ladies' Man | 1947 | screenplay |
Producer
Producer
Title | Year | Status | Character |
---|---|---|---|
The Good Guys | 1968-1969 | TV Series producer - 25 episodes | |
Who's Been Sleeping in My Bed? | 1963 | producer | |
Papa's Delicate Condition | 1963 | producer | |
Who's Got the Action? | 1962 | producer | |
On the Double | 1961 | producer | |
It Started in Naples | 1960 | producer | |
The Five Pennies | 1959 | producer | |
Houseboat | 1958 | producer | |
Beau James | 1957 | producer | |
The Seven Little Foys | 1955 | producer |
Won awards
Won awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|---|---|---|---|---|
1984 | Laurel Award for Screen Writing Achievement | Writers Guild of America, USA | |||
1974 | WGA Award (Screen) | Writers Guild of America, USA | Best Comedy Written Directly for the Screen | A Touch of Class (1973) | · Melvin Frank |
1974 | Writers' Guild of Great Britain Award | Writers' Guild of Great Britain | Best British Screenplay | A Touch of Class (1973) | · Melvin Frank |
1974 | Writers' Guild of Great Britain Award | Writers' Guild of Great Britain | Best British Original Screenplay | A Touch of Class (1973) | · Melvin Frank |
1974 | Writers' Guild of Great Britain Award | Writers' Guild of Great Britain | Best British Comedy Screenplay | A Touch of Class (1973) | · Melvin Frank |
1960 | WGA Award (Screen) | Writers Guild of America, USA | Best Written American Musical | The Five Pennies (1959) | · Melville Shavelson |
Nominated awards
Nominated awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|---|---|---|---|---|
1974 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced | A Touch of Class (1973) | · Melvin Frank |
1974 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | A Touch of Class (1973) | · Melvin Frank |
1974 | BAFTA Film Award | BAFTA Awards | Best Screenplay | A Touch of Class (1973) | · Melvin Frank |
1959 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay - Written Directly for the Screen | Houseboat (1958) | · Melville Shavelson |
1959 | WGA Award (Screen) | Writers Guild of America, USA | Best Written American Comedy | Houseboat (1958) | · Melville Shavelson |
1956 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay | The Seven Little Foys (1955) | · Melville Shavelson |
1953 | WGA Award (Screen) | Writers Guild of America, USA | Best Written American Comedy | Room for One More (1952) | · Melville Shavelson |
1953 | WGA Award (Screen) | Writers Guild of America, USA | Best Written American Musical | I'll See You in My Dreams (1951) | · Melville Shavelson |
1949 | WGA Award (Screen) | Writers Guild of America, USA | Best Written American Comedy | The Paleface (1948) | · Edmund L. Hartmann · Frank Tashlin |
1949 | WGA Award (Screen) | Writers Guild of America, USA | Best Written American Western | The Paleface (1948) | · Edmund L. Hartmann · Frank Tashlin |
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