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Jack Gabel

Jack port Gabel (1949-? ) currently lives in Portland, Oregon. He provides travelled thoroughly, throughout European countries, Africa and Asia and proved helpful many summers like a industrial fisherman in Alaska. Gabel offers written several concert hall functions for most different mixtures of tools and voices, with and without electro-acoustic accompaniments and/or improvements. He also creates mixed-media functions alone along with collaborators, using musique concrete and poetry, regularly his own, a few of which includes been published aside from its use within contemporary performance items and much more traditional configurations for performers. Gabel researched music structure with Tomas Svoboda and Derek Healey, and poetry composing with Ralph Salisbury. Honours include a College or university of Akron NEOTUBA-UATE Reward for a fresh work with euphonium & strings, an Oregon Condition Poetry Association Reward and two composer residencies in the Ernest Bloch Festival at Newport, Oregon. Commissions attended through the Jerome Basis for The Dale Warland Performers, the Bunkyo College or university Symphonic Blowing wind Orchestra and Seattle’s Bumbershoot Festival from the Arts. Before decade Jack port Gabel’s work is becoming infused with broadly varied cultural and ancient colours and motives, especially those of the historic, native ethnicities of THE UNITED STATES. Recent performances consist of Imagine Wakiash within the College or university of Brazil’s Open up Air Electro-acoustic Shows Series ’95, Lion Hunt Fantasy from the Ancia Saxophone Quartet in the Berlin Modern Music Festival ’95, Echo’s Farewell from his Hellenic Triptych for prepared viola and digital electro-acoustics by Rozanna Weinberger at Dicapo Opera Theatre’s ‘Blackjacks IV,’ NY ’96, Sounding the Furies for single alto saxophone and digital electro-acoustics, by Tom Bergeron and Electric powered in the night time for solo prepared piano and digital electro-acoustics by Artwork Maddox, both on the Seventh Types Seventh Period Kick-off Mini-tour, Portland, Monmouth and Eugene, Oregon ’97. Documented works consist of Hellenic Triptych for prepared viola and digital electro-acoustics over the Compact disc titled Interest, music for viola single, with piano & prepared w/digital electro-acoustics by Rozanna Weinberger, viola & Evelyne Luest, piano; North Pacific Music, Compact disc 1996, the full-length documenting TURTLE Isle DREAMS * TURTLE Isle DANCES, a assortment of electro-acoustic shade poems on Indigenous American tracks, dances and chants; North Pacific Music, Compact disc 1995, and quickly to become released for the MMC label, Whale Hunt Fantasy for single viola and complete orchestra, offering soloist Karen Dreyfus using the Silesian Philharmonic, Jerzey Svoboda performing – a shade poem for the shamanic areas of the whale hunting custom from the Makah tribe of Neah Bay, Washington. Desert Isle Picks “Dark Perspectives” by George Crumb, Kronos Quartet edition, non-esuch “Et Expecto Reserectuorum Mortuorum” by Olivier Messian, Heitink/Royal Concertgebow edition, Phillips Trio in E-flat by Franz Schubert, Beaux Arts Trio edition, Phillips “White colored Man Sleeps” different composers, Kronos Quartet, non-esuch 4th Symphony of Gustav Mahler, Heitink/Royal Concertgebow edition, Phillips “Ladies of Mali” different performers, Sterns “Nocturnes” by Claude DeBussy, Ansermet/Orch de La Suisse Romande edition, London Piano Concerto No. 1 by J. Brahms, Berman/Linsdorf/CSO edition, Sony “Hoodoman Blues” Junior Wells, Delmark Symphony No. 10 of D.Shostokovich, Rostropovich LSO edition, Teldec “Shakuhachi Banquet” Teruhisa Fukuda, North Pacific Music Violin Concerto of J. Sibelius, Perlman/Linsdorf BSO edition, RCA “Back Dark” AC/DC

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