Ivo Malec

Along with Milko Kelemen, Ivo Malec is normally Croatia’s most well-known author of the avant-garde. Blessed in Zagreb, Croatia, in 1925, he examined in Paris, France, in 1955 while preserving close ties with house. Motivated by color, Malec released Versions in 1956, where 17 single equipment are each connected with their very own shades, and Mouvements en Couleur in 1959 — he resolved completely in Paris in the same calendar year. A lot of his early compositions had been electronic, frequently in the musique concrète design, such as for example Mavena (1957) and Breaths II (1961), which mixed instrumentation with inhaling and exhaling effects. He continued to combine consumer electronics with typical instrumentation in a number of later works, such as for example Tutti (1962) for orchestra and tape. He mixed reciter and orchestra in Mouth (1966-1967), basing elements of the music on Andre Breton’s Nadja and became a teacher on the Paris Conservatoire in 1972. Probably his many applauded work implemented with Acro 11 in 1975, a commanding and enigmatic piece. Another showcase followed using the discharge of Bassa (1983-1984).