Among the highly popular performers in the ’40s and ’50s throughout Brazil, Isaurinha Garcia recorded more than 50 rpm and a lot more than 10 LPs during her profession. The initial Rainha perform Rádio Paulista (Queen of São Paulo’s Radio), in 1953, Garcia got strikes in the ’40s with “Aperto de Mão,” “Mensagem,” “De Conversa em Conversa”; in the ’50s with “Marrequinha” (Denis Brean/Raul Duarte), “Velho Enferrujado” (Gadé/Valfrido Silva), “Pé de Manacá” (Hervé Cordovil/Marisa Pinto Coelho), and “Mocinho Bonito” (Billy Blanco). In the ’60s, she got achievement with “Tem Bobo Pra Tudo” (Manuel Brigadeiro/João Correia da Silva). When Garcia was 14, she participated within a newbie present at Rádio Record, earning first place. Within the next season, she was employed with the outing, having continued to be among the primary female performers of its ensemble throughout her profession. The first record emerged in 1941, with “Chega de Tanto Amor” (Mário Lago) and “Pode Ser” (Geraldo Pereira/Marino Pinto). The initial hit emerged in 1943, “Aperto de Mão” (Dino 7 Cordas/Meira/Augusto Mesquita). 2 yrs later, she documented the traditional samba “Mensagem” (Aldo Cabral/Cícero Nunes), and in 1947, she got another hit using the samba “De Conversa em Conversa” (Lúcio Alves/Haroldo Barbosa), documented afterwards by João Gilberto. In the past due ’40s, Garcia had been a national achievement, verified by her travels throughout the nation. Her initial LP was documented in 1957, A Personalíssima. Wedded to Walter Wanderley, Garcia got his involvement on three LPs: Sempre Personalíssima (1959), Atualíssima (1963) and Sambas da Madrugada (1963). In 1969, Garcia participated in the V Event de Música Popular Brasileira/FMPB (Brazilian Popular Music Event, Television Record, São Paulo), with “Primavera” (Lupicínio Rodrigues/Hamilton Chaves).