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Inquisition

Biography

Explosive and politically conscious post-hardcore outfit Inquisition just lasted a couple of years, but the eager energy and sincerity of the music motivated many who discovered them throughout their short run, including acts like WARM WATER Music, Anti-Flag, the Suicide Machines, Dashboard Confessional, Ensign, and much more. Inquisition produced in Richmond, Virginia in 1991 around four senior high school close friends: vocalist Thomas Barnett, guitarist Tag Avery, drummer Russ Jones, and bassist Leer Baker. Baker still left the music group in early 1992, but introductions thanks to Avail’s Tim Barry shortly led to Rob Huddleston putting your signature on on to fill up the void. Immediately after, the guys documented and self-released their initial studio record, Broken Music. Inquisition networked and toured relentlessly for another couple of years, as numerous 7″ singles and compilation looks turned up on the way. They ultimately hit the studio room in 1995 to record, as well as the producing incendiary full-length, Trend: I BELIEVE It’s Called Motivation, premiered in early 1996 through Pop a Wheelie Information. With its users too young to understand that rings could actually have a break without splitting up, Inquisition toured through the entire remaining 12 months until their eventual implosion that fall. The quartet’s last display was Sept 8, 1996, at Richmond’s Biograph Theatre. Barnett continued to form Hit Anywhere (called after an Inquisition track); Avery created River City Large; Huddleston and Jones teamed up in Ann Beretta. Trend received another reissue in Oct 2005 through A-F Information. Inquisition reunited briefly in-may 2007 for a set of sold-out hometown demonstrates were documented annually down the road a Compact disc/DVD release known as Uproar: Live and Loud from No Idea Information. A small number of sporadic acoustic Inquisition units have been performed by Barnett among others because the group’s 2007 reunion.

Quick Facts


Awards The Game Award for Game Of The Year, The Game Award for Best Role Playing Game, GLAAD Media Award for Special Recognition
Music Songs Desolate Funeral Chant, Astral Path to Supreme Majesties, Wings of Anu, From Chaos They Came, Crush the Jewish Prophet, Command of the Dark Crown, Power From the Center of the Cosmic Black Spiral, Crepuscular Battle Hymn, Embraced by the Unholy Powers of Death and Destruction, Empire of Luciferian Race, Cosmic Invocation Rites, The Realm of Shadows Shall Forever Reign, The Flames of Infinite Blackness Before Creation, Hymn for a Dead Star, Vortex From the Celestial Flying Throne of Storms, Where Darkness Is Lord and Death the Beginning, Ominous Doctrines of the Perpetual Mystical Macrocosm, Those of the Night, A Black Aeon Shall Cleanse, Imperial Hymn for Our Master Satan, Darkness Flows Towards Unseen Horizons, Solitary Death in the Nocturnal Woodlands, Dark Mutilation Rites, Unholy Magic Attack, A Magnificent Crypt of Stars, Magnificent Glorification of Lucifer, Master of the Cosmological Black Cauldron, Force of the Floating Tomb, Infinite Interstellar Genocide, Baptized in Black Goat Blood, Ancient Monumental War Hymn, Enter the Cult
Albums Bloodshed Across the Empyrean Altar Beyond the Celestial Zenith, Obscure Verses for the Multiverse, Ominous Doctrines of the Perpetual Mystical Macrocosm, Nefarious Dismal Orations, Magnificent Glorification of Lucifer, Invoking the Majestic Throne of Satan, Into the Infernal Regions of the Ancient Cult, Incense of Rest
Nominations BAFTA Games Award for Best Game

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