Ingolf Dahl

Ingolf Dahl was created in Germany to a Swedish family members. He examined with Philipp Jarnach on the Conservatory in Cologne, Germany, but still left Germany when the Nazis had taken over. He continuing his research in Switzerland at Zurich Conservatory with Volkmar Andreae with the School of Zurich with Walter Frey. In 1935 he been to america to review with Nadia Boulanger, who was simply after that teaching in California. Viewing the European circumstance became even more unsettled, he transferred permanently to america and used residence in LA. He became effective being a film and radio arranger, and he also constructed, conducted, and provided lectures. Dahl was especially effective in his function as conductor and pianist of concert series known as Mon Evening Concerts and Evenings on the top. These programs, offering contemporary music, captivated the interest of composer Igor Stravinsky, who used Dahl like a musical associate. He entrusted the translation of his Norton Lectures into British to Dahl. Dahl became extremely respected like a professor in the University or college of Southern California, whose faculty he became a member of in 1945. He was a longtime conductor from the university’s orchestra (1945 – 1958) and trained both performing and composing. Among his pupils are conductor Michael Tilson Thomas and composer Frederick Myrow. His personal music developed from a thickly obtained Central European design, with substantial Hindemith-influenced counterpoint, to a far more American style, open up and lighter in rating with a quick neo-Classical element affected by Stravinsky. The majority of his relatively little output is definitely instrumental. His music is normally tonal, although he published several serial or twelve-tone items. He is specifically reputable among blowing wind instrumentalists for his compositions for music group and other blowing wind ensembles, as well as for his saxophone concerto, his concerto for just two clarinets, his Allegro and Arioso for woodwind quintet, and his Music for Brass Tools. Furthermore to teaching at USC (with which he continued to be associated until his loss of life), he also trained at Tanglewood and was movie director from the Ojai Celebration, The Teen Musician’s Base of LA, and the LA Guild Opera Firm. He received many honors and honours, and motivated great devotion from his pupils.