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Inge Borkh

Inge Borkh offers enjoyed main achievement in the world’s leading opera homes not only due to her shiny and attractive soprano tone of voice, but due to her deft dramatic abilities. Certainly, she was educated as an celebrity and were able to convert her excellent sense for dilemma seamlessly towards the operatic stage, dealing with a number of regular roles, but numerous unforgettable successes in early-twentieth hundred years opera. She’s sung Verdi — Aida, Macbeth (Female Macbeth), Cherubini — Medea, Wagner — The Traveling Dutchman (Senta), Die Walkure (Sieglinde, Freia), and several other staples. However in the twentieth hundred years, beside performing Richard Strauss (Salome and Elektra) and Puccini (Tosca and Turandot), she’s taken on relatively riskier fare, including Magda in Menotti’s The Consul and Cathleen in Egk’s Irische Legende. Because Borkh also acquired training being a dancer, she frequently transferred about on-stage with an enthusiastic balletic feeling and gracefulness. Though she retired from performing in 1973, a lot of her recordings remain available from a number of main brands, including DG, Decca, RCA, Opera D’oro, Orfeo D’or, Melodram, Ponto Recordings, and Myto Information. Inge Borkh (Ingeborg Simon) was created in Mannheim, Germany, on, may 26, 1917. She examined music in Milan, and through the battle years resided in Switzerland, which she’d ultimately make her house. Borkh produced her debut in the Lucerne Opera in 1940, performing Czipra in Johann Strauss, Jr.’s Der Zigeunerbaron. In the postwar period she gained worldwide see when she sang Magda in The Consul in the Basle Opera in 1951. This is a major creation at that time, not really least since it was the German-language premiere from the Menotti masterwork. Additional important debuts adopted: Bayreuth (1952), performing Sieglinde and Freia; SAN FRANCISCO BAY AREA (1953), as Elektra; and Florence (1954) as Eglantine in von Weber’s Euryanthe. Her debut in the Met arrived in 1958, performing Salome, with Covent Garden the next yr in the same part. Borkh was showing up in main recordings, aswell, like the 1957 Dimitri Mitropoulos-led Elektra (available these days on Orfeo D’or) as well as the acclaimed 1960 edition from the same opera with Karl Böhm on DG. Borkh continued to be a significant operatic star through the entire 1960s, despite the fact that she didn’t amass a lot of recordings. In 1973 she retired from severe performing, but returned to the level four years later on as an celebrity. Following pension, Borkh also briefly made an appearance inside a cabaret-style act.

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