Hot Butter wasn’t a lot an organization as an alias for keyboard virtuoso Stan Free of charge, a top program player from the 1960s (with credits including focus on albums from the Monkees, Arlo Guthrie, John Denver, et al), and a support musician or two functioning behind his Moog synthesizer. Free of charge had cut many unsuccessful singles under his personal name through the past due ’60s, and in addition had been an associate of the Moog synthesizer ensemble, the Initial Moog Quartet, structured by Gershon Kingsley — throughout their 1969 tour of america, the group experienced utilized Kingsley’s dance instrumental “Snacks” (which he previously written and documented in 1969 on his record Music to Moog By), as an encore, and it elicited a few of the most positive reactions from viewers. Two years afterwards, when Totally free issued a fresh documenting of “Snacks,” he utilized the pseudonym Scorching Butter; this is a shrewd advertising ploy, for not merely do that name appear to fit alongside the title from the piece much better than “Stan Totally free” could have, but it addittionally made it simpler to keep in mind and demand the piece at record shops and on the air — some accounts state that Kingsley also performed on that record, though he wasn’t acknowledged. Whoever was onto it, the effect was a high Ten hit in the us and Britain. Albums and various other singles followed, mainly of classical functions and familiar pop and film music transcribed for synthesizer, but “Snacks” continued to be his exclusive charting 45. It had been popular enough to carefully turn up as theme music and bridge-music for many television channels’ productions, and it is regarded today as an early on forerunner of both disco music and synth pop. In 2000, the gathered recordings of Scorching Butter were released about the same CD.