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Horsecollar Williams

“Horsecollar” is usually a nickname found in baseball to spell it out a person who by no means scores any foundation hits. Strangely suitable that moniker became mounted on a sax participant who left valuable little in the form of recordings for posterity. Small is well known about his existence and profession, although among music artists he previously a longstanding status as a deserving player. The initial exemplory case of Horsecollar on information appears to have been documented at Clark Monroe’s Uptown Home, an after-hours golf club in NY (observe Harlem Odyssey, Xanadu LP 112). Two of the amateur area recordings, dating from June of 1941, protect clear types of Horsecollar’s design and intonation. Using the alto saxophone, he offered solid sympathetic obbligato accompaniment for Billie Visit to front of the audience comprised mainly of their fellow jazz music artists. Horsecollar is in fact even more audible behind Billie than on eight Warm Lips Page edges waxed for the Savoy label in June and Sept of 1944 (observe Classics 809). He requires no solos on these times, and is actually completely overshadowed from the various other saxophonists. This isn’t at all unexpected when one confronts a good partial set of reedmen from both of these periods: imagine seated along with Don Byas, Earl Bostic, Ben Webster, and Ike Quebec! Horsecollar turns up on a few of Etta Jones’ early recordings through the 1940s (discover Classics 1065), and will be heard in fact leading his very own band in the salty “You Ain’t Nothin’ Daddy” (discover Midnite Blues Party, Vol. 2: Rare Blues and R&B, released in 2003 on Electro-Fi 3378). Williams were able to establish himself being a program guy in the R&B marketplace for a couple of years, something many jazz music artists did to be able to manage with those shifts in online marketing strategy that resulted in the invention of the lucrative commodity referred to as rock and roll & roll. There is certainly some confusion relating to a Floyd Williams who performed drums behind Carmen McRae. Is certainly this the same person as the incomprehensible Mr. Horsecollar? (Such a changeover is not unusual — Dannie Richmond performed saxophone for a long time before getting the specified drummer for Charles Mingus.) Finally, this interesting footnote: while functioning at Monroe’s, Horsecollar befriended pianist and composer Herbie Nichols, who subsequently wrote a bit focused on him bearing the name “‘Orse at Safari.” It appears fitting that one of the most obscure game titles in the Herbie Nichols reserve was conceived and called for somebody so enigmatic and hard to pin down.

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