Few percussionist did as much to help expand the marriage of jazz, rock and Cuban music as Horacio “Un Negro” Hernandez. Through his use jazz luminaries like Dizzy Gillespie, Gonzalo Rubalcaba, Michel Camilo and Latin rock and roll icon Carlos Santana, Hernandez is becoming Afro-Cuban music’s many visible drummer. We were young in a residence filled up with music in Cuba, Hernandez was subjected to the original music his Grandfather adored, the intensifying jazz noises of his dad as well as the American rock and roll music his sibling tuned in from close by Miami r / c. U.S. rock and roll music becoming outlawed at that time, Hernandez was detained at age thirteen to be captured playing Cream addresses with close friends from music college. El Negro worked well his method up in the Cuban documenting and overall performance community, using performers like Rubalcaba, and documenting much better than 300 information during his amount of time in Havana. Because the citizen session player for just two Havana studios, he held a mattress in another of their spare areas, sometimes not coming back home for weekly or even more. Having constructed an international status via his use Rubalcaba, Hernandez defected to Italy hoping of transitioning following that to NY. He spent 3 years there, teaching in a conservatory and carrying out frequently in Rome’s occupied club scene. Once the chance arose to relocate to NY, Hernandez got it, playing membership gigs for $50 a evening until he was legitimately allowed to function. Once in a position to travel he was provided a gig with Latin jazz piano get better at Michel Camilo. Through his use Camilo, Dave Valentin as well as the TropiJazz All-Stars, Hernandez performed on probably the most important Latin jazz recordings from the ’90s. He was released to mainstream viewers in 1997 within Carlos Santana’s touring music group with whom he performed the biggest locations of his profession. Hernandez gained his first Grammy with Michel Camilo’s Live on the Blue Take note, which took Greatest Latin Jazz Record in 2003. Un Negro’s debut being a bandleader emerged a year afterwards using the Grammy nominated Italuba, implemented two years afterwards by Italuba II.