Like Kilometers Davis, this jazz participant hailed from East St. Louis, for the Illinois part from the mighty Mississippi. Like Charlie Parker, Horace Eubanks finished up inside a mental organization, though the second option reed player’s stay was a lot longer. Unlike either of the household titles, Eubanks is actually an obscurity, though it must be stated that he got around. His professional paths get back to the start of the Roaring Twenties, when he was carrying out in Vancouver with Jelly Move Morton. Eubanks’ following set of affiliations details on both Chicago jazz picture as well as the American expatriate motion in European countries in the first ’30s. Carrying out a period using the outstanding Charlie Creath in St. Louis, Eubanks kicked off his personal Dixie Strutters clothing, centered out of Chicago. Additional early milestones in the reedman’s profession include dealing with the Doc Watson of Chicago, never to become confused using the fingerpicker from the same name from NEW YORK. In 1928, Eubanks teamed up with violinist Wilson Robinson and the next yr was off to European countries together with Benny Payton. In the first ’30s Eubanks was connected with Willie Lewis, a innovator who developed regular opportunities overseas for players who had been having difficulty keeping busy within their homeland. But by 1934 Eubanks was back Chicago, ultimately playing in drummer Zutty Singleton’s music group. In the next half of the decade, Eubanks going back again to St. Louis, dealing with both Creath and a fantastic outfit set up by Destiny Marable. By all reviews the ’40s weren’t kind to Eubanks. He became significantly sick and was evidently a resident from the Missouri Condition Mental Medical center in the ’40s, which is normally where in fact the jazz supporters lost an eye on him.