Since emerging in the picture in 2001, this Honolulu-based quartet has quickly established itself among the most compelling and exciting ensembles on Hawaii’s jazz picture. The aggregation of John Kolivas on bass, Tim Tsukiyama on saxophones, Dan Del Negro on piano, and Adam Baron on drums presents not just a tenacious and reasonable progression in the fantastic custom of post-bop jazz in Hawaii, however the group’s sound shows the diverse range from the bandmembers’ abilities and their wide-ranging affects and passions. Collectively referred to as the Honolulu Jazz Quartet, these four music artists have got explored the jazz custom as sidemen with a number of the jazz genre’s most recognized music artists. With backgrounds as music teachers so when accompanists in symphonic orchestras, on Broadway and in musical movie theater touring businesses, the members from the Honolulu Jazz Quartet provide their supporters a energetic and innovative confluence of noises which are the immediate consequence of their order of their equipment and dedication with their build. Bandleader, composer, and bassist John Kolivas was created in Hawaii in 1961. More than his 25-plus years as a specialist acoustic bassist, Kolivas provides performed with a huge selection of jazz luminaries, including Larry Coryell, Makoto Ozone, John Pizzarelli, Don Grusin, George Benson, Robin Eubanks, Eric Marienthal, Keola Beamer, and many more. Kolivas spent eight years in NEW YORK through the 1980s because the primary bassist for the Broadway present The Touch Dance Kid, joined up with the business of Big River, and continued tour using the Pirates of Penzance as well as the Gregory Hines Present. Kolivas in addition has worked being a bassist using the Honolulu Symphony since 1997 and will be noticed on recordings with Hawaiian slack essential guitar get good at Keola Beamer, and on Keali’i Reichel’s Grammy-nominated documenting Ke’alaokamaile. As an educator, Kolivas shows the dual bass, electrical bass, and jazz improvisation, and aids using the orchestras in the exclusive Punahou College in Honolulu. He in addition has trained in jazz treatment centers regarding the the Hawaii International Jazz Event. Pianist/composer Dan Del Negro comes from the south part of Chicago, where he soaked up the jazz picture around him and spent some time working with such great players as Herbie Mann, Vinnie Colaiuta, Tiger Okoshi, and Nestor Torres, amongst others. He also offers extensive encounter in musical theatre, having performed with touring businesses of Les Miserables, Joseph as well as the Amazing Technicolor Dreamcoat, and Miss Saigon. Berklee University of Music alumni Tim Tsukiyama takes on soprano and tenor saxophones within the quartet and can be a member from the Royal Hawaiian Music group. He has used vocalist Dee Dee Bridgewater, Bunky Green, John Pizzarelli, as well as the Hawaiian music group Klapana. Created in Kansas Town, drummer Adam Baron started playing drums at age group 15. He analyzed at the University or college of Missouri Conservatory of Music and went to the Berklee University of Music. His professional collaborations consist of people that have Jovino Santos Neto, Shelly Berg, and Carlinhos de Oliveira. He keeps a qualification in social anthropology from your University or college of Washington. While early jazz affects such as Kilometers Davis, John Coltrane, and Wayne Shorter might have provided rise to many from the band’s musical qualities, since its inception the music group has consistently provided its enthusiasts an inimitable personal sound created through innovative methods as well as the bandmembers’ personal encounters. HJQ’s debut documenting, Sounds of the town, premiered nationally in 2004 and spent weeks on JazzWeek’s Country wide Jazz Radio Best 50 Graph. Tenacity, released in March 2007, acts as an additional documentation from the group’s musical development and cultural connection to consumers beyond the Hawaiian jazz community.