Composer Henry R. Bishop dominated the musical surroundings in London’s theatrical globe in the years 1810 – 1840. In the twenty-first hundred years, he’s known, if, as the author of the popular melody “House, Sweet House!” with lyrics with the American dramatist John Howard Payne. Bishop’s dad was a haberdasher, and Bishop came into the musical globe with hardly any formal teaching, operating at a music store like a salesman and posting his first items through them in 1801. By 1806 Bishop had been producing a name for himself in the London musical picture, writing insertion figures and ballets. The to begin his full-length attempts, The Circassian Bride-to-be (1809) was popular on its 1st night time, but on its second, the Drury Street Theater, where in fact the premiere happened, burnt down. After his second full-length work, The Maniac, or the Swiss Banditi (1809; comprising 25 figures), Bishop would concern himself mainly with writing short insertions — tunes that may be repeated many times in a display — furthermore to overtures and additional short set items. His worklist appears to include a mind-boggling selection of operas, numbering in to the hundreds, however the vast majority of the are actually musical plays which have just a couple numbers apiece. The grade of Bishop’s craftsmanship, whether along with his very own melodic tips or some tune cribbed from somewhere else, was highly adjustable, which range from his glees (a lot more than 300 of these, many of excellent quality) to his pastiches attracted from Mozart and Rossini (among the most severe in the genre). Bishop became connected with Covent Backyard in 1811, and by enough time he remaining in 1824 he previously contributed music for some 70 of their productions. A number of the tracks Bishop had written for Shakespeare takes on, such as for example “Lo, right here the mild lark” (1819) and “Bet me discourse” (1820), possess hung onto the external fringes of British music repertory, and particular dances Bishop made up are still noticed in the English Isles; you have even been used like a regimental march. But “House, Sweet House!” through the operetta Clari, or The Maid of Milan (1823) offers proven the most long lasting of Bishop’s configurations. Afterward, he done yet another piece, Aladdin (1826), which includes plenty of music in it to almost constitute an opera. Bishop also extended “House, Sweet House!” into an “opera” of its (1829), composing an overture for this that likewise shows the strike tune. Bishop’s instrumental result is definitely scant, but will consist of 48 overtures and a remarkably skillful String Quartet (1816). After 1838, Bishop got from the theatre and attempted his hands at teaching. Because of his tremendous reputation, Bishop was called to several important content, none which he kept lengthy — his very own education in music had not been up to the duty. On June 1, 1842, Bishop was produced a knight from the United kingdom Empire by Queen Victoria, the initial musician in the annals of the world to be therefore dubbed.