A good if underrated soloist who was simply a subtle (instead of) flashy improviser, Henry Goodwin was an excellent trumpeter in his prime. He performed drums and tuba furthermore to trumpet as a kid. He was raised in Washington D.C. and caused the rings of Sam Taylor and Claude Hopkins in 1925 as an adolescent. At age group 15, Goodwin visited European countries with Hopkins (within the Josephine Backer Revue) however in Berlin he made a decision to return to NY. He quickly sailed to Argentina with an organization led by Paul Wyer. After returning, Goodwin caused Elmer Snowden and Cliff Jackson’s Krazy Kats (with whom he documented). He frequented Europe once again in 1933 with Lucky Millinder and in NY used Willie Bryant and for just two years with Charlie Johnson. After a brief stint with Cab Calloway, Goodwin was with Edgar Hayes (1937-40), caused Sidney Bechet (where his design fit in flawlessly) and gigged with Cecil Scott (1942-44), Gene Sedric and Artwork Hodes furthermore to freelancing. Goodwin, who frequented Europe once again in 1948 (the Good Jazz Event with Mezz Mezzrow’s music group) and 1952, caused Bob Wilber (1948-49), Jimmy Archey (1950-52) and Earl Hines in SAN FRANCISCO BAY AREA (1956). He performed in a number of dixieland rings in the 1960’s before retiring. Although a nice soloist, Henry Goodwin by no means led his personal record date.