Haywood Henry

An unsung participant, Haywood Henry was among the finest baritone saxophonists from the golf swing era; so excellent, actually, that he sometimes substituted for Harry Carney with Duke Ellington’s Orchestra. Henry began on clarinet (which he continuing using being a increase throughout his profession) and tenor before concentrating on the baritone. He used the ‘Bama Road Collegians in 1930 when he was participating in Alabama State Instructors College, freelanced a little, and officially became a member of the group in 1934 after arriving at New York; they might soon be referred to as the Erskine Hawkins Orchestra. Henry was a fixture with Hawkins from 1934 in to the early ’50s, acquiring periodic solos. In his post-Hawkins years, he used Tiny Grimes, documented with Julian Dash (1951), was using the Fletcher Henderson Reunion Music group of 1957-1958, and was active documenting over 1000 rock and roll & roll information more than a ten-year period (frequently with Mickey Baker), showing up anonymously on many strike information. Henry also caused Wilbur DeParis in the first ’60s and later on gigged with Maximum Kaminsky, Snub Mosley, Louis Metcalf, Earl Hines (1969-1971), Broadway displays (including Ain’t Misbehavin’). Sy Oliver’s Orchestra (1972-1980), and the brand new York Jazz Repertory Organization. Henry documented with an Erskine Hawkins reunion group (1971) and was energetic into the past due ’80s. Like a innovator, Haywood Henry documented an recording apiece for Davis (1957), Strand (early ’60s), along with a definitive outing for Uptown (1983).