Hauschka (Volker Bertelmann) can be an independent experimental musician located in Düsseldorf, Germany internationally named a 21st century exponent of prepared piano technique, a custom dating back again to late 19th and early 20th century People from france composer Erik Satie. The piano is definitely ready when “arrangements” (comprising almost any conceivably relevant object or materials) are put between your strings or onto the hammers from the device; a wider software of the word consumes all types of extra modifications that increase the sonic and operative likelihood of the piano. Hauschka offers successfully mixed the chamber music facet of ready piano (observe composers Henry Cowell, John Cage, Christian Wolff, Maximum Richter, Maurice Delage, and Arvo Pärt) with pop, rock and roll, and digital sensibilities. Hauschka’s music may be said to research (inadvertently maybe) many of these areas of the ready piano formula, and he can also be seen as a conceptual cousin of Denman Maroney, Erik Griswold, Sylvain Chaveau, and Anthony Pateras. His playfully repeated constructs, which certainly reveal the impact of Satie, will also be at times similar to early keyboard functions by Philip Cup or something from from the thoughts of Terry Riley and Steve Reich. His greatest function suggests the accomplishments of Frank Pahl, Pascal Comelade, Yann Tiersen, and Henry Brant along with the self-perpetuating modalities connected with gamelan. Hauschka, who with Luke Sutherland and Stefan Schneider is definitely an associate of Music A.M., offers collaborated with Torsten Mauss to accentuate the golf club/digital duo Tonetraeger. Bertelmann frequently releases several Hauschka recording a year, such as for example 2005’s Considerable and Hauschka: The Ready Piano and 2007’s Variations of the Ready Piano and Space to Expand. With 2008’s Ferndorf, an homage to his hometown that presented a string duo, Bertelmann reached a fresh degree of prominence; the Snowflakes and Carwrecks EP adopted in ’09 2009. Around that point, he also started to discover regular work rating independent movies in Germany. Hauschka collaborated with San Francisco’s Magik Magik Orchestra on 2010’s full-length Foreign Scenery, while 2011’s Salon des Amateurs presented users of Calexico and Múm. Bertelmann came back the following yr with Silfra, a cooperation with violinist Hilary Hahn which was motivated by Iceland’s Silfra rift. That calendar year, he also constructed the rating for Doris Dörrie’s film Glück. For his 2014 single record Empty City, Hauschka utilized a number of the world’s most well-known ghost towns being a metaphor for the “feeling of wish and sadness” he feels when composing music. 2015 noticed the discharge of the NDO C Y, a assortment of Empty Town outtakes and remixes, along with the live record 2.11.14. Bertelmann after that focused on credit scoring work, offering music for dance shows such as for example Swan of Tuonela, which discovered him collaborating with Finnish circus performer Ville Walo. His film music included ratings for 2015’s The Boy and 2016’s In Dubious Fight and Lion, a cooperation with Dustin O’Halloran that gained Golden World and Academy Prize nominations. The eighth Hauschka record, What If, found its way to 2017. Motivated by Bertelmann’s speculation on what lifestyle could possibly be like in the foreseeable future, it highlighted a Roland Jupiter synth, an Eventide H3000 Harmonizer and participant piano alongside ready piano for the sci-fi-influenced sound.