b. Bunji Kitazume, 1923, Tsukayama, Niigata, Japan. In 1939, in his mid-teens, Kitazume inserted a college for rôkyoku, a favorite artwork of narrative chant, and re-named himself Fumiwaka Nanjô before changing to the design of kayôkyoku (previously the most frequent and typically Japanese type of well-known melody) and executing as Haruo Minami in 1957, when his three debut singles had been released. The initial few, ‘Chanchiki Okesa’ (okesa is certainly some sort of folk dance and chanchiki can be an onomatopoeic phrase) and ‘Funakatasan Yo’ (‘Halloa, Boatman’) gained Minami significant achievement and were accompanied by ‘Yuki No Wataridori’ (‘A Wanderer In Snow’) in the same calendar year and ‘Otone Mujô’ (‘Merciless Otone’) in 1959, producing him referred to as a vocalist of historical music. Minami was hailed being a ‘nationwide vocalist’ when his one, ‘Tokyo Gorin Ondo’ (Tokyo Olympic Dance), became a million-seller in 1964, the entire year from the Olympic Video games in Tokyo that the music was commissioned. His sinewy vocals and gaudy kimono-costumes, both which are similar to his rôkyoku history, have always been familiar to Japanese tv audiences.