In the Roaring Twenties, Harold Glenn was referred to as the “California Whistler” and was among several talented novelty virtuosos whose accomplishments were on sale, advertised heavily with a consortium including railway companies aswell as the greater expected r / c. Like a performer, anticipations were always high for famous brands Glenn, representing a stark comparison from what the pop music picture would develop some seven years afterwards. Glenn and his contemporaries could have been disgusted at the idea of music largely developed by manufacturers in studios, and superstars who are evidently unable to in fact perform it live. There is no lip-syncing for the California Whistler when he arrived a coveted slot machine on WAAM or WMCA in NEW YORK. He had showing up perfectly prepared to pucker and render a totally in-tune edition of some present stopper, possibly the “William Inform Overture.” An average revue circa the middle-’20s highlighted Glenn in tandem with works such as for example Helen Bourne, the Maryland Nightingale and Joe Davis, afterwards to become famous record manufacturer and publisher but at this time only the “Melody Guy.” Moments may have transformed, but the reputation of whistling hasn’t. Also Glenn’s outdated stage name of “California Whistler” continues to be appropriated with a performer called George Oldfield. He’s among the regular bearers within an artwork form which includes many positive features far beyond the wonderful reality that nobody must carry any tools around. With regards to old-school whistlers, Glenn gets several demerits for having a boring name: various other titans of tweet consist of Muzzy Marcellino and Mohan Kulkarni.