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Haris Alexiou

The folk music of Greece is fused with contemporary pop sensibilities by vocalist and songwriter Haris Alexiou. Dubbed “Haroula” (“Small Elegance”) by her enthusiasts, Alexiou has surfaced among the best types of the deep, throaty design of Greek Byzantine performing. Based on Dirty Linen, Alexiou’s “…passionate vocals really soar on the music and so are a genuine delight to hear.” A veteran greater than 20 years within the music business, Alexiou sings in French, German and Arabic and focuses on the original Greek design of rembetika, which combines folk music (dhimotica) and oriental metropolitan music (smyrneika). Alexiou’s ancestral origins lay in Thebes in Asia Small. Her family relocated to Greece following a signing from the Treaty of Lausanne in 1923. The turning stage in her musical profession arrived in 1972, when she effectively auditioned for any multi-artist, Apostoles Kaldaras-produced recording, Mikra Asia (“Asia Small” — Turkey). The recording became a significant strike in eastern European countries. Alexiou’s debut recording, Laika Tragoudia (“12 Folk Tunes”), premiered in 1975 and included the solitary “Dimitroula,” that was the top-selling solitary in Greece through the 1970s. Following a collapse of armed service program in Greece, Alexiou performed in some stadium concerts that she distributed to politics Greek vocalist Theodorakis and released a dual recording, Ta Tsilika, offering Greek folk tunes from 1900 to 1940. Through the 1990s, Alexiou teamed with songwriter Nikos Andypas, whom she fulfilled when he was playing drums for Theodorakis. Their 1st cooperation, Di Efchon (“With Blessings”), with lyrics by Lina Nikalakopoulou, became among the 1st Greek albums released beyond Greece. Not only is it released in France, Belgium, Israel and Japan, the recording became her 1st release within the U.S. in January 1998. Alexiou showcased her abilities like a songwriter with her 1995 recording, Odos Nefelys ’88 (“Cloud Road ’88”). Gyriziontas Lot Kosmos (“Heading ‘Round the entire world”), released the next 12 months, and Ena Fili Tou Kosmou released in 1997, included recordings from her concerts between 1992 and 1996.

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