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Hans Reichel

Known just as a guitarist and instrument inventor — assignments that, in his case, have a tendency to complement each other — Germany’s Hans Reichel carved away a tranquil niche for himself in the world of Western european avant-garde improvisation. He stood out among his contemporaries not merely because of his uncommon guitar-like innovations — which feature frets, pickups, or microphones in nontraditional places — but additionally because of his real playing style, that was frequently amazingly melodic and folk-like (not forgetting good-natured and unpretentious) for somebody primarily from the avant-garde. Alternatively, he also developed some really bizarre (& most not at all folk-like) music over time — for instance, his various use the daxophone, a bowed solid wood plank that he developed which emits some nearly unbelievably animalistic creaks and groans. Created in Hagen, Germany in 1949, Reichel was raised playing violin before switching to acoustic guitar as he created a pastime in rock and roll & roll through the middle-’60s. His fascination with playing music waned toward the finish from the ’60s as he dedicated additional time to his additional main passions, typesetting and font developing. However, he ultimately found his in the past into activity in the first ’70s and received encouragement from Jost Gebers, maker for the renowned Berlin-based FMP label. His 1st launch, Wichlinghauser Blues, arrived on that label in 1973, rendering it among the previously FMP albums. Reichel tended to operate in smaller configurations and recorded several solo albums, included in this The Death from the Rare Parrot Ymir (1979), Bonobo Seaside (1981), The Dawn of Dachsman (1987), Coco Bolo Evenings (1988), Shanghaied on Tor Street (1992), and Decrease Lurum (1994). He also performed duets with an array of music artists, including cellist Tom Cora, accordionist/multi-instrumentalist Rüdiger Carl, percussionist Eroc, and guitarists Wädi Gysi, Kazuhisa Uchihashi, and Fred Frith. Additionally, he documented within the Sept Music group with Carl, vocalist Shelley Hirsch, and percussionist Paul Lovens in addition to in larger organizations led by such varied statistics as conductor Butch Morris and saxophonist Thomas Borgmann. The majority of Reichel’s albums had been released by FMP and therefore not broadly distributed, particularly in america; various other small independent brands to have released recordings of his consist of Rastascan, Intakt, and Desk of sun and rain. Still, without children name at all, Reichel obtained some scattered publicity in even more mainstream areas over time: a 1997 problem of Guitar Player newspaper named him one of the “30 Many Radical Guitarists” in music, and he was also highlighted on the favorite Gravikords, Whirlies and Pyrophones, a 1996 reserve/CD focused on invented musical instruments released with the Ellipsis Arts imprint. Hans Reichel passed away in Wuppertal, Germany on November 22, 2011; he was 62 yrs . old.

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