Håkan Lidbo

It’s hard to track Håkan Lidbo, a productive maker who focuses on lushly rhythmic tech-house but can hop from design to style want few others. Created in 1965 in Malmo, Sweden, Lidbo spent quite a few years through the ‘80s playing in rock and roll rings. Frustrated with both people he was coping with as well as the design of music he was playing, he bought a sampler and made a decision to essentially focus on his personal after that. During the past due area of the ‘80s and the first ‘90s, Lidbo experienced an acidity jazz project known as Solid Declare that opened up for Public Foe through the group’s tour of Scandinavia; he’d add examples from jazz information together with looped hip-hop beats, occasionally incorporating live music artists. After that task covered up, Lidbo proceeded to go into production for several acts that assorted stylistically from home to commercial to straight-up rock and roll. Since the past due ‘90s, the maker offers amassed an intimidating level of single singles and EPs on many labels, including Packed, Paper, Force Songs, Transmat (because the Vanisher), and Texas holdem Smooth. He’s no stranger to complete measures either, having released 1999’s Prior to the Starting, 2000’s Following the End, 2001’s Technology Couture, and 2002’s 6/10/60 and Sexy Automatic robot. Lidbo did a lot of remix work with famous brands Fatboy Slim, Luomo, Midfield General, and Ashley Beedle.