b. 12 Sept 1883, Red Banking institutions, Mississippi, USA, d. 15 Oct 1979, Memphis, Tennessee, USA. Being a youngsters, Cannon was a proficient fiddler, and a guitarist and pianist, but his primary device was the banjo. Cannon, whose parents have been slaves, produced his initial banjo at age 12 from a electric guitar neck of the guitar and a loaf of bread skillet. He was trained to try out in Clarksdale, Mississippi, with a musician called Bud Jackson and examined other regional players, such as for example W.C. Helpful. It had been as “Banjo Joe” that Cannon made an appearance for the “medication displays” every summer season from 1914-29, operating as a plantation labourer through the winter season. While in Chicago having a medication show he documented for Paramount in 1927, with Blind Blake on acoustic guitar. Spurred on from the 1927 achievement from the Memphis Jug Music group, Cannon added a coal-oil can on the neck funnel to his tools, and was authorized when the Victor label found Memphis in 1928. Cannon’s Jug Stompers documented yearly from 1928-30, creating a number of the finest & most bluesy jug music group 78s. As styles transformed, Cannon ceased playing the roads for the money in 1950, but he held used, and produced some recordings for folklorists in 1956 and 1961. In 1963 arrived an unlikely second of popularity, when the Rooftop Performers had lots 1 strike with “Walk Best In”, that your Stompers had documented in 1929. He continuing to make periodic recordings for close friends in the 70s, though normally, these were of diminishing liveliness. Cannon provides since been regarded by music historians among the links between pre-blues Negro folk music as well as the blues. The initial Stax album highlighted Will Tone on jug, and Milton Roby (washboard) and was rumoured to possess just been pressed within a level of 800. It had been expertly remastered and reissued on Compact disc by Ace Information in 1999.