Although not popular in American jazz circles, Gunnar Bergsten is among Sweden’s finest baritone sax players and commands significant amounts of respect among Scandinavian jazzmen. The melodic and recognizable Bergsten is kind of a middleweight champ from the baritone — he includes a larger build than Gerry Mulligan, but he isn’t as intense or hard-blowing as Cecil Payne or Pepper Adams. Bergsten began to create a name for himself in the 1960s, when he went to the Royal Academy of Music in Stockholm before playing within the rings of trumpeter Rolf Ericson and tenor saxophonist Bernt Rosengren. The 1970s discovered Bergsten carrying on to record and enjoy with Rosengren thoroughly and learning to be a sideman for pianist Lars Sjosten. Bergsten also caused Sjosten a whole lot within the 1980s, when he was section of saxman Tommy Koverhult’s quartet. Within the 1990s, Bergsten documented for Stockholm’s Arietta label being a head and led a quartet of his very own that included pianist Peter Nordahl, basssist Patrik Boman and drummer Leif Wennerstrom. It had been in 1996 that Rosengren highlighted Bergsten promienently him on his acclaimed Arietta time Porgy and Bess, which supplied jazz arrangements from the music from that George Gershwin musical. The quality of Bergsten’s Arietta result indicated that he deserved to become far better known within the U.S.