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Guillaume Gabriel Nivers

The two most significant works out of this MA recipient from Paris University in 1661 are “Livers d’orgue” and “Traite de la composition.” The previous work founded the foundations from the French body organ school during past due seventeenth century as well as the second option addressed theoretical issues coping with intervals, cadences, settings, part-writing and fugues. In “Livers d’orgue” Nivers mixed components of the Catholic liturgy with current styles inn French music and previous traditions. Lots of the items were organized as suites with preludes, fugues, cantus firmi, duos, recitatives, dialogues, etc, employed as specific constructions. Nivers also made up sacred vocal music in standard conditions, edited of Gregorian chants, made up motets for just one and two treble voices and continuo, composed two books on Gregorian chant and a discourse on continuo playing. At that time he offered as an organist of St. Sulpice from about 1650 until his loss of life, Nivers also offered as an organist for the royal chapel in 1678, was the professional of music towards the queen in 1681, and performed harpsichord for productions of Racine’s “Esther” and “Athalie.”

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