Guillaume Bouzignac is normally regarded as the main French author of sacred music from his period. He launched Italian and Spanish components into his design, thus enlivening the complete body of French sacred music, which experienced grown static due to its provincial attitude and insufficient advancement. Bouzignac was probably created in 1587, most likely in Saint-Nazaire-d’Aude, where his well-to-do family members had resided for at least two decades. He analyzed in Norbonne, in the St. Juste Cathedral, where he also offered an apprenticeship. His 1st major structure, the motet O mors, ero mors tua, times to his “graduation” yr of 1604. At the moment Bouzignac was granted a benefice from the Cathedral, a sign he previously been advertised to assistant expert there. The youthful composer, powered by debt, remaining Norbonne to provide briefly beneath the provost in Angoulême. Then had taken a post at the neighborhood Cathedral as helper get good at and chorister. He came back to Nazaire-d’Aude in 1608, but within a calendar year recognized a post at St. André’s Cathedral in Grenoble as get good at of music. His following actions are unclear: Bouzignac continued to be in Grenoble just 90 days and appears to have resided another 15 years generally beyond France. It really is surmised that he might have spent a great deal of amount of time in Italy, as well as perhaps in Spain, aswell. Such trips would describe the Italian and Spanish stylistic features that acquired crept into his music. In 1624 Bouzignac came back to France and, in Bourges, was ordained a priest and used on as get good at of music on the Cathedral. The next calendar year he spent time in Paris and in 1628 may possess made a vacation towards the Atlantic coastline. From 1629 to 1632 he offered as get good at of music in Rodez, on the Notre Cathedral. For another decade roughly his activities aren’t known, though by 1643 he’d secure the post of expert from the children’s choir in the Clermont-Ferrand Cathedral, as documentary proof confirms. It appears that Bouzignac spent the summertime of 1641, though, in Trips for religious festivities held there. Many of his compositions (Praesulum chorus, Gloriosa dicta sunt de te, ecclesia Turonensis, etc.) make research in their text messages to the Trips’ occasions. Bouzignac’s actions become unclear once again from 1643 onward, but most likely because he passed away that yr or afterwards.