Beneath the name of Guilbeau & Parsons, Gib Guilbeau and Gene Parsons released just two obscure singles in 1967-1968. Nevertheless, the level of their documenting and performing actions, aswell as their function in the delivery of country-rock, is certainly far larger than that extra result might indicate. The set were involved with recording many singles and albums, billed both to themselves and support other performers, in the middle- to past due ’60s. These foreshadowed, or had been at least simultaneous with, country-rock directions pursued by the Byrds, the Traveling Burrito Brothers, and various other Southern Californian performers. Obviously, Gene Parsons himself would join the Byrds in 1968, as would a guitarist with whom Guilbeau and Parsons frequently performed and documented, Clarence Light. Guilbeau would make his tag in roots-country-rock in the ’70s for Swampwater (who documented several songs initial waxed by Guilbeau & Parsons), and afterwards as an associate of the Traveling Burrito Brothers. The labyrinthine saga started in 1963, when multi-instrumentalist and vocalist Parsons became a member of the Castaways, a Southern Californian clothing including fellow multi-instrumentalist/vocalist Gib Guilbeau (a Louisiana indigenous who was simply playing in your community since the past due ’50s). The Castaways got a broad repertoire that included but had not been limited to nation, and recorded several singles for GNP Crescendo in 1964 (though Parsons didn’t show up on these). Guilbeau and Parsons briefly parted methods in the middle-’60s when Gib shifted back again to Louisiana for six weeks. But Guilbeau came back to California nearly immediately, developing a band known as the reason why (also occasionally billed as the Fabulous Factors) in Palmdale, performing a lot of their gigging in the desert area east of LA. Parsons rejoined Guilbeau with this group, playing drums, although he’d performed bass in the Castaways. A rigorous live routine in the reason why, combined with the music artists’ own assorted backgrounds, eclectic passions, and burgeoning songwriting aptitude, cultivated a then-novel combination of nation, rock and roll, folk, pop, Cajun, and R&B. Guilbeau and Parsons, aswell as Factors bassist Wayne Moore, place a few of this ferment to make use of on frequent documenting sessions. Recording in a variety of combinations for maker Gary Paxton and frequently backing other performers, these endeavors had been issued on several obscure releases, frequently around the Bakersfield International label. In Apr 1967, Paxton authorized Guilbeau and Parsons as saving artists. Simply two Guilbeau & Parsons singles arrived, though: “Nice Suzannah”/”Louisiana Rainfall” in 1967, and “Your Mild Ways of Caring Me”/”Nice Rosie” in 1968. In addition they cut sessions in those days for a task LP that was by no means released, though a lot of the materials finished up on Cajun Nation, a 1970 recording acknowledged to Gib Guilbeau. Altogether, the Guilbeau & Parsons result was a quite interesting mixture of early country-rock with a substantial amount of Cajun and dabs of R&B and blues, occasionally leaning pronouncedly in the united states or Cajun directions. At various other occasions, though, they could recall the Byrds or Gene Clark when those functions were within the cusp between folk-rock and country-rock. Certainly, “Your Gentle Means of Caring Me” will be redone from the Byrds in the past due ’60s, after Gene Parsons and Clarence White colored had joined. White colored himself performed on a number of the Guilbeau & Parsons songs. At that time, nevertheless, these information (yet others which Guilbeau and Parsons performed) were noticed by few. The duo produced a greater tag live, particularly if their friend Clarence Light joined the reason why on electric guitar. This group would posthumously become referred to as Nashville Western world, after a membership of which they performed, though they weren’t billed as Nashville Western world at that time. Various other associates of nascent Southern Californian country-rock groupings would browse the music group on-stage. They hardly ever released any studio room product, nevertheless, though several pleasant, mostly instrumental live recordings arrived, billed to Nashville Western, in the past due ’70s. White colored and Parsons remaining the Factors/Nashville Western for the Byrds in 1968, which also finished any potential customers of an ongoing recording profession for the duo of Guilbeau & Parsons. Their criminally buried studio room legacy continues to be belatedly displayed by 2002’s Big Defeat CD Louisiana Rainfall. This gathers both of their officially released singles, the Guilbeau & Parsons edges that appeared within the Cajun Nation recording, a half-dozen house demos and outtakes, and some other middle- to past due-’60s singles which Guilbeau and/or Parsons participated.