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Grayson Hugh

This elusive, Connecticut vocalist, pianist, and songwriter initially excited soul fans in 1988 along with his second album, Blind to Reason, that was nearer to gritty, gospel-tinged soul than just about anyone was cutting in those days. The one “Speak It Over” produced the pop Best 20, and both single and record went precious metal. Grayson Hugh set up a music group and toured incessantly. Because of record business machinations, Hugh’s second work, Road to Independence, arrived on MCA in 1992. Two of its paths, “I CANNOT Untie You from Me” and “Don’t Appear Back,” had been selected by movie director Ridley Scott for the soundtrack to his film Thelma and Louise. The previous cut specifically resonated with viewers, and brought Hugh’s tone of voice and signature performing design — which evoked from spirit and gospel to nation, blues, and old-school R&B — to some much larger target audience. The recording was chosen by Billboard editor Jim Bessman, as one of the “Ten Greatest of 1992.” Hugh’s tone of voice also got him the eye of movie director Jon Avnet, who requested he cut a edition of Bob Dylan’s “I’ll Keep in mind You” for his film Fried Green Tomatoes. Hugh organized the song within the Southern gospel design; the track finished up among the soundtrack’s shows. Regardless of the acclaim and product sales of Street to Independence, Hugh was decreased by MCA after his A&R guy left the business (all the rep’s functions had been released). Disillusioned using the music business, he practically disappeared from your pop music picture for nearly 2 decades. He spent his period teaching songwriting in the Berklee University of Music and composing ratings for dance businesses in Boston. Hugh re-emerged with 2010’s individually released, stellar An American Record, a assortment of all-original materials that shown the wide selection of his flavor. He also started touring once again. The recording, though not broadly circulated, was clear of major-label insight. Hugh’s instincts had been solid in creating probably the most constant, creative, and advanced recording in his profession to date.

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