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Graham Parker

Biography

Stereotyped early in his career because the quintessential irritated son, Graham Parker was perhaps one of the most effective singer/songwriters to emerge from England’s pub rock and roll scene in the first ’70s. Drawing intensely from Truck Morrison as well as the Moving Stones, Parker created a sinewy fusion of generating rock and roll & move and confessional folk-rock, highlighted by his indignant enthusiasm, biting sarcasm, and bristling anger. First of his profession, his albums crackled with pub rock and roll energy, snide witticisms, and mild insights, making him a dedicated pursuing of enthusiasts and critics, who lavished compliment on his debut, Howlin’ Blowing wind. Despite all of the positive person to person, Parker never were able to become a celebrity, and he was quickly overshadowed from the introduction of Elvis Costello, a vocalist/songwriter who distributed similar origins. After providing Squeezing Out Sparks in 1979, Parker attemptedto make several crossover albums before settling right into a cult pursuing in the past due ’80s and carrying on to garner important acclaim. After spending a lot of his early adulthood functioning odd jobs, which range from mating mice and guinea pigs to functioning in a gas place, Parker started seriously seeking a musical profession in 1975. Until that point, he had performed in several obscure pub rock and roll groupings, including a cover music group that got spent period playing in Morocco and Gibraltar. Nonetheless it wasn’t until 1975 that he started purchasing his demos. That season, Dave Robinson, among the co-founders of the brand new 3rd party label Stiff, noticed among Parker’s demonstration tapes and prompted the songwriter, assisting him assemble a support music group known as the Rumour. Robinson curved up several superstars from the pub rock and roll picture — guitarist Brinsley Schwarz and keyboardist Bob Andrews, both previously of leading pub rockers Brinsley Schwarz, previous Ducks Deluxe guitarist Martin Belmont, previous Bontemps Roulez drummer Steve Goulding, and bassist Andrew Bodnar — to create the Rumour, as well as the music group was soon helping Parker for the dying pub rock and roll scene. With the help of DJ Charlie Gillett, the group arrived a record agreement with Mercury by the finish of 1975. Graham Parker & the Rumour going into the studio room to lower their debut record with manufacturer Nick Lowe, who provided the ensuing record, Howlin’ Blowing wind, an appealingly ragged advantage. Howlin’ Blowing wind was greeted with enthusiastic testimonials upon its summertime discharge, as was the identical HEAT THERAPY, which followed within the fall. Regardless of the positive press, Parker was developing disappointed with Mercury, thinking that the business was not correctly marketing and distributing his information. His third record, Adhere to Me, needed to be re-recorded quickly following the first tapes were uncovered to be faulty ahead of its scheduled discharge. Because of this, Adhere to Me received combined evaluations upon its fall 1977 launch, which derailed Parker’s momentum somewhat. Furthermore, Elvis Costello, a fellow pub rock and roll survivor who possessed not just a more pop-oriented design of songwriting, but additionally a more harmful persona, quickly eclipsed Parker in recognition. Annoyed by his profession striking a standstill, Parker released the live-double recording The Parkerilla in the summertime of 1978 to be able to escape his contract. Carrying out a brief but intense bidding battle, he quickly authorized to Arista Information, where he released “Mercury Poisoning” — a blistering assault on his previous record label as well as the B-side of the promotional one — as his first record for the label. Squeezing Out Sparks, Parker’s initial record for Arista, place a halt compared to that drop. Showing off a slicker, fresh wave-oriented creation — it had been the to begin his records never to possess any participation from Nick Lowe — the recording was greeted with fantastic reviews and, around the advantages of radio strikes like “Regional Ladies,” it became his most effective record, reaching amount 40 in the American graphs and offering over 200,000 copies. Parker was poised for a significant discovery, but that didn’t happen. He implemented Squeezing Out Sparks in 1980 using the Jimmy Iovine-produced The Up Escalator, that was significantly slicker than its forerunner. The Up Escalator didn’t sell, and Parker made a decision to ditch the Rumour, who acquired already started a solo profession. For 1982’s Another Gray Area, he employed producer Jack port Douglas along with a group of session music artists, producing a radio-ready creation that received combined reviews, yet were able to maximum at quantity 51. THE TRUE Macaw, which adopted in 1983, experienced a similar destiny. For 1985’s Steady Nerves, Parker relocated to Elektra Information and produced a backing music group known as the Shot with guitarist Brinsley Schwarz, who helped him deliver his most radio-ready collection. This time around, the pop move paid. “AWAKEN (Next for you)” became his just Top 40 strike, and the record stayed over the graphs for nearly so long as Squeezing Out Sparks. Despite his moderate industrial achievement with Steady Nerves, the record wasn’t broadly praised, and he also went into problems with Elektra, departing the label after just one single record. He briefly shifted to Atlantic, which fallen him without liberating an individual record. As a result, Parker wasn’t in a position to deliver another recording until 1988, when he authorized with RCA and released The Mona Lisa’s Sister within the springtime. Hailed mainly because a return by many critics upon its launch, the record generated a university radio strike with “BEGIN (Take up a Fireplace)” and spent 19 weeks over the graphs. Instead of getting the start of a return, the record ended up being a final gasp: it had been the final time Parker could crack the very best 100. Live! Only in the us (1989) received reviews that are positive but was overlooked, and 1990’s slight worldbeat experiment Human being Soul received combined evaluations and peaked at quantity 165 within the graphs. Parker’s final recording for RCA — and his last recording to graph — was the stripped-down Struck by Lightning (1991), even though it had been critically praised, it missed an audience beyond his cult. The next year, he turned to Capitol and released Burning up Questions, that was ignored. Following discharge of 1993’s double-disc anthology Interest Is No Normal Word, Parker produced the step to independent brands — he previously spent period at all except one of the main brands (Columbia/Sony) with small achievement. In 1994, he released the Xmas Cracker EP on Dakota Arts, and he authorized with Razor & Tie up, where he released 12 Haunted Shows within the springtime. JUST LIKE THE Mona Lisa’s Sister and Struck by Lightning before it, 12 Haunted Shows was hailed as a return, and it bought from respectable quantities for an indie discharge. Parker implemented it with two albums in 1996, Live from NY, NY and Acidity Bubblegum, which made an appearance within 8 weeks of each various other late in the summertime. Early in 1997, he released another live recording, the double-disc THE FINAL Rock N Move Tour, that was documented with the energy pop quartet the Figgs. Parker continuing to issue a reliable blast of archive and live produces into the middle-2000s, and relocated into vocalist/songwriter setting for the albums Deepcut to Nowhere as well as your Country, the second option a origins rock-influenced affair released from the Chicago-based Bloodshot Information. The Figgs had been back again for 2005’s Tunes of No Result, an recording that Parker announced “stones like safari recreation area chimp” in pre-release promotion. Unreleased material, uncommon edits, and remixes had been featured on Established Artwork Vandelay Tapes, Vol. 2, which made an appearance fourteen days after Tunes of No Result. Don’t Inform Columbus found its way to March 2007 as well as the smart Imaginary Television made an appearance this year 2010, combined with the Dvd and blu-ray Live in the FTC. Parker unexpectedly reunited his initial backing music group the Rumour in 2011, partly because of the treatment of longtime lover and filmmaker Judd Apatow, who produced the group a storyline stage in his film THAT IS Forty. After showing up within the film, the group documented an recording of fresh materials, Three Chords Great, which found its way to November 2012, around once Apatow’s film premiered. A concert shot for the film also received a stand-alone launch on Dvd and blu-ray and Blu-Ray beneath the title THAT IS Live. Parker as well as the Rumour required benefit of their fresh put in place the limelight by touring America and the united kingdom to get Three Chords Great, and in-may 2015 they came back with another brand-new LP, Secret Glue, documented throughout a six-day sprint at London’s RAK Studios.

Quick Facts


Full Name Graham Parker
Date Of Birth November 18, 1950
Profession Singer, Writer, Songwriter
Nationality English
Music Songs Don't Ask Me Questions, You Can't Be Too Strong, Passion Is No Ordinary Word, Get Started, Start A Fire, Local Girls, I Want You Back, Watch The Moon Come Down, Temporary Beauty, Hold Back the Night, White Honey, Discovering Japan, Back to Schooldays, Don't Let It Break You Down, Hey Lord, Don't Ask Me Questions, Pourin' It All Out, New York Shuffle, Stupefaction, Hotel Chambermaid, Soul Shoes, Big Man On Paper, The Kid With the Butterfly Net, You Can't Take Love for Granted, That's What They All Say, I Discovered America, Under The Mask Of Happiness, Wake Up, Black Honey, I'm Just Your Man, Silly Thing, Nobody Hurts You, Ten Girls Ago, Between You and Me
Albums Squeezing Out Sparks, Stick to Me, Heat Treatment, Howlin' Wind, The Up Escalator, The Parkerilla, The Mona Lisa's Sister, The Real Macaw, Another Grey Area, Steady Nerves, Live! Alone in America, Deepcut to Nowhere, Acid Bubblegum, Struck by Lightning, Human Soul, 12 Haunted Episodes, Songs of No Consequence, Live At Marble Arch, Loose Monkeys, From a Window: Lost Songs of Lennon & McCartney, Don't Tell Columbus, Burning Questions, Imaginary Television, Carp Fishing On Valium - the Songs, Live Alone: The Bastard of Belgium, Live At Rockpalast 1978 + 1980 (Grugahalle Essen, 18.10.1980 & WDR Studio L Cologne, 23.01.1978), Your Country, Live Alone At the Freight and Salvage, Live From New York, NY, The Official Art Vandelay Tapes, Live One, Live Clowns, Live In Concert, Alive In America, The Guest List, Live Alone! Discovering Japan, Live, 5 Loose Screws, More Freight and Salvage, Christmas Cracker, The Official Art Vandelay Tapes, These Dreams Will Never Sleep: The Best Of Graham Parker 1976 – 2015, Master Hits, The Vertigo Singles Collection, The Bastard of Belgium's Bastard Brother, The Official Art Vandelay Tapes, Volume Two, Squeezing Out Sparks + Live Sparks, Live at the Rainbow
Nominations Brit Award for British Breakthrough Act
Movies Bloodied but Unbowed: Bloodshot Records' Life in the Trenches


  • Facts
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Soundtrack

Soundtrack

TitleYearStatusCharacter
Super League Show 2 2016 TV Series short writer - 1 episode
Britain's Got More Talent 2015 TV Series writer - 1 episode
Today at Wimbledon 2014 TV Series writer - 1 episode
Rude Tube 2013 TV Series writer - 1 episode
This Is 40 2012 performer: "Local Girls", "Thunder and Rain", "Protection", "Watch the Moon Come Down", "What Do You Like?", "Happy Birthday to You" / writer: "Local Girls", "Thunder and Rain", "Protection", "Watch the Moon Come Down", "What Do You Like?"
Conan 2012 TV Series performer - 1 episode
RocKwiz 2011 TV Series writer - 1 episode
Football Focus 2011 TV Series writer - 1 episode
Fringe TV Series performer - 1 episode, 2010 writer - 1 episode, 2010
The Real Hustle 2008 TV Series documentary writer - 1 episode
Orange Playlist 2007 TV Series writer - 1 episode
When Snooker Ruled the World 2002 TV Movie documentary writer: "Fools Gold" - uncredited
Undeclared TV Series performer - 1 episode, 2002 writer - 1 episode, 2002
Sex, Drugs & Ruck 'n' Roll 2002 TV Series documentary writer - 1 episode
Drakarna över Helsingfors 2001 performer: "Don't Ask Me Questions" / writer: "Don't Ask Me Questions"
Teachers 2001 TV Series writer - 1 episode
L'ultimo bacio 2001 writer: "Watch the Moon Come Down"
Natural Selection 1999 writer: "Daddy's a Postman"
Burnzy's Last Call 1995 performer: "Childhood Sweetheart" / writer: "Childhood Sweetheart"
Boston Kickout 1995 writer: "Fools Gold"
True Love 1989/I performer: "Cupid"
Roadhouse 66 1985 writer: "CRAWLING FROM THE WRECKAGE"
Hard to Hold 1984 performer: "When The Lights Go Down"
Top of the Pops TV Series performer - 4 episodes, 1977 - 1978 writer - 2 episodes, 1977 - 1978
Between the Lines 1977 performer: "Heat Treatment" / writer: "Heat Treatment"

Composer

Composer

TitleYearStatusCharacter
Don't Ask Me Questions: The Unsung Life of Graham Parker and the Rumour 2013 Documentary
Graham Parker & the Figgs: Live at the FTC 2010

Actor

Actor

TitleYearStatusCharacter
This Is 40 2012 Graham Parker

Music Department

Music Department

TitleYearStatusCharacter
Booker 1989 TV Series songs performed by - 1 episode

Self

Self

TitleYearStatusCharacter
Graham Parker and the Rumour: Long Emotional Ride 2013 Video documentary short Himself
Don't Ask Me Questions: The Unsung Life of Graham Parker and the Rumour 2013 Documentary Himself
Conan 2012 TV Series Himself - Musical Guest
Graham Parker & the Figgs: Live at the FTC 2010 Himself
The Lost Songs of Lennon & McCartney 2003 Video documentary Himself
Later... With Jools Holland 1995 TV Series Himself
Late Night with Conan O'Brien 1993-1994 TV Series Himself
Late Show with David Letterman 1993 TV Series Himself
Late Night with David Letterman 1982-1992 TV Series Himself / Himself - Guest
The Tonight Show with Jay Leno 1992 TV Series Himself
Solid Gold 1985 TV Series Himself
Rock Revolution 1984 TV Movie Himself
Fridays 1980 TV Series Himself
Top of the Pops 1977-1978 TV Series Himself

Archive Footage

Archive Footage

TitleYearStatusCharacter
If It Ain't Stiff 2007 TV Movie documentary Himself

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2013 ASCAP Award ASCAP Film and Television Music Awards Top Box Office Films This Is 40 (2012) · Jon Brion


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#Quote
1 Pop musicians are too full of themselves to act properly. It's all preening and posturing for us. We mug, we mime, we throw shapes, we pose, we do weird things with our eyeballs, but we can't act. I think deep down many musicians, myself included, consider acting and filmmaking a much higher art form, and we wish we were actors. We spend too much time in music trying to manipulate people's emotions in under ten seconds. It's excessively phony.


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