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Glenn Jones

Founding person in the enigmatic indie instrumental group Cul de Sac, Glenn Jones began playing guitar at age group 14, opening the entranceway on what will be a decades-long trip into inventive and exploratory noises. Alongside fellow Boston experimental musician Robin Amos, Jones produced Cul de Sac in 1990. Both will be the just constant members through the entire band’s lifespan. On the next 2 decades, the music group would to push out a variety of albums, singles, and EPs, concentrating almost completely on instrumental parts and creating a personal sound melding loud electronics, finger-style classical guitar, and terse rock and roll rhythms. Jones sometimes played homemade equipment of his very own style on these recordings, including a ready lapsteel electric guitar he dubbed “the Contraption.” A self-proclaimed pupil of what he phone calls “the Takoma College,” Jones’ instrumental design heavily follows the impact of John Fahey and falls generally in to the rustic pastoral place of Fahey as well as other American Primitive performers. In 1997, Jones collaborated with Fahey over the Epiphany of Glenn Jones, a rough-hewn pastiche of audio collage, collective jamming, and many spoken word items. In the first 2000s, Cul de Sac’s activity slowed up considerably, and Jones started work on single recordings. These discs relocated from Cul de Sac’s ever-shifting but generally noisy sonics toward a far more stripped-down, gentle strategy. This is actually the Blowing wind That Blows It Out premiered by Unusual Attractors Audio Home in 2004; Jones would concern two other single discs with Unusual Attractors Audio Home, including Against That your Ocean Continually Beats in 2007 and Barbecue Bob in Fishtown in ’09 2009, including his 1st forays into banjo playing. In 2011, Jones released The Seeking, his first recording with Chicago post-rock flagship label Excitement Jockey. The Looking deeper explored open up tunings and presented “The Orca Grande Concrete Manufacturing plant at Victorville,” a protracted duet with powerhouse percussion improviser Chris Corsano. He adopted in 2013 with My Backyard State, an recording created in Jones’ boyhood NJ house while he was looking after his ailing mom. Welcomed Wherever I Proceed, an EP having a cooperation with Cian Nugent, made an appearance in 2014. Full-length Fleeting, documented inside a creekside home in Support Holly, NJ, was released by Thrill Jockey in 2016.

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