b. Iyael Constable, 14 March 1978, Hackney, London, Britain. Constable started his search for stardom in his formative years by imitating Michael Jackson’s dance techniques and emulating his performing style. He went to acting classes on the Anna Shears Play College where he guaranteed a job on the tv screen series Corners. Furthermore to seeking his quest to become an all-round entertainer, he became a member of the Air Schooling Corps and in 2 yrs climbed towards the rank of corporal. In 1989, he got into a skill competition and was pipped on the earning post with a DJ; this inspired his subsequent transformation of direction. Within the next competition, he turned from dance to performing being a DJ and emerged away with initial prize. His achievement led to the forming of his very own Glamma Guard audio system, playing in regional blues and home parties around London. The machine disbanded in 1994 using the associates branching out in various musical directions. In the fall of 1994, Constable, executing as Glamma Child, fulfilled up with Mafia And Fluxy who both maintained his profession and created his debut, ‘Style Newspaper’. The melody led to several periods and Glamma Child became thought to be the UK’s response to Bounty Killer. He supplied the DJ lyrics to several strikes including ‘Moschino’, ‘Young ladies Terminus’, ‘Country Of Young ladies’ as well as the anti-cocaine anthem, ‘Outertain’. He was also significant for comments about the harmful obsession of some music artists using the gangster picture, leading to the discharge of ‘Eastwood Clint’, where he warned against weapons: ‘Bwoy you could an undesirable such as a Eastwood Clint – nevertheless, you tink poor man gun open fire flint’. He was also popular for recording inside a mixture design, notably alongside Sylvia Tella, Peter Hunningale, Nerious Joseph and Robbie Valentine. In January 1997, he became a member of makes with Mafia And Fluxy, Hunningale and Joseph within the reggae supergroup Enthusiasm, for ‘Talk about Your Like’, which crossed over in to the budget of the united kingdom pop graph. Glamma Child was provided and approved the part of supporting work to his Jamaican counterpart Bounty Killer on his 1997 UK tour, and continuing focusing on his debut recording for WEA Information. He enjoyed large crossover achievement in 1999 with two UK Top 10 strikes; ‘Taboo’, a cooperation with R&B vocalist Shola Ama, and ‘Why’.