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Giovanni Maria Trabaci

Giovanni Maria Trabaci was an organist and highly prolific composer whose key pad works were before their period, bridging the distance between the past due Renaissance and the first Baroque. He was created in 1575 and in 1594 was appointed a tenor vocalist in Naples in the chapel of SS Annunziata. Nothing at all about his existence in the intervening years is well known. In 1601, he arrived to the service from the Spanish viceroys in Naples as primary organist in the royal chapel; when their maestro di cappella Giovanni de Macque passed away in 1614, Trabaci increased to that placement and continued to be there until his personal loss of life in 1647. He also offered the Capoa di Balzo family members from 1603-1611, and devoted his first level of key pad music (1603) to them, “in whose home the splendour of music shines brightly.” Trabaci’s music ranged across a lot of the designs and genres after that current in Rome, both secular and sacred. It had been conservative and basic, often bit more than practical music in homophonic or chordal design. There are a few important exceptions, nevertheless: significant are his sacred motets, which might show the impact of Gesualdo’s Cantiones Sacrae within their wandering modulations and abstract way. A lot more significant are his striking functions for harpsichord, which prefigure in fundamental methods the music of the fantastic Frescobaldi; Trabaci’s key pad functions are his most daring and influential achievements and are a number of the extremely first in Baroque key pad music. His collection released in 1615 also contains what are possibly the first-ever really chromatic (i.e. modulating) items for harpsichord.

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