Though he was created in Monfalcone, in Gorizia (near modern-day Slovenia and Croatia), as a kid Gino Paoli moved across Italy to Genoa, and it had been that city with which he was associated and that he called his home. In the 1950s he worked well like a porter along with a visual designer before recognizing it had been music of which he was most talented. Performing in local rings (one of these with friend Luigi Tenco), Paoli was found out by Ricordi, and quickly he was documenting tracks to them. In 1960 he released the very first single compiled by him, “La Gatta,” and within the next couple of years the tunes that would arrive at define him — “Il Cielo in una Stanza,” “Vivere Ancora,” “Sassi,” “Sapore di Sale,” “Sassi,” the second option which 300 variations were eventually documented — arrived. He also spent his period working like a skill scout, assisting the professions of both Lucio Dalla and Fabrizio De André log off the bottom. Despite his achievement, the ’60s had been tumultuous years for Paoli. An attempted suicide (that remaining shrapnel near his center) as well as the suicide of Tenco delivered him right into a deep depressive disorder, and he required a rest from music for some time. He returned, nevertheless, in 1971 with Credited Facce Dell’Amore, and 1974 noticed one of is own most beloved albums, I Semafori Rossi Non Sono Dio, a tribute to Spanish vocalist Joan Manuel Serrat. A prolific composer, Paoli continuing releasing almost an recording annually well in to the 1990s, including 1988’s L’Ufficio Delle Cose Perdute, 1991’s Matto Arrive el Gatto, and 1994’s Ruler Kong. In 2002 he came back towards the San Remo Event with “El Altro Amore,” also entirely on his recording Se. 2 yrs later on he released Ti Ricordi? No Non Mi Ricordo, a assortment of 12 duets with onetime fire and longtime friend Ornella Vanoni.