Geraldo Carneiro

Having written a lot more than 200 tunes by Wagner Tiso, Francis Hime, Astor Piazzola (ten tunes, included in this “As Ilhas” and “Muralha da China”), and Egberto Gismonti (having also created many of his LPs), Geraldo Carneiro has already established his productions documented by Michel Legrand, Tom Jobim, Ney Matogrosso, Olivia Byington, Vinicius de Moraes, A Barca perform Sol, and Airto Moreira. Many variations of his tunes in additional idioms have already been released overseas and he’s also an granted author of books, chronicles and poems, performs, an opera (Manu Çaruê, music by Wagner Tiso), film scripts, and a Television series. Having relocated to Rio de Janeiro at age group three, Carneiro analyzed the piano in his child years. His first track to be documented, by Jorginho Telles, was “Tristeza, Tristeza” (with Eduardo Souto Neto). Having fulfilled Egberto Gismonti in 1968, both published “Água e Vinho” in 1971, the title-track of Gismonti’s LP of another year. The recording had other tunes from the duo, including “A Traição das Esmeraldas” and “Ano No.” In 1972, the LP Egberto Gismonti (made by Carneiro) brought “Luzes da Ribalta” and “Encontro no Pub” (Gismonti/Carneiro). In 1974, he became the composer for any Barca perform Sol, and created Gismonti’s LP Academia de Danças. Having created intense creative activity like a author of books, takes on, essays, and content articles, in 2000 Carneiro was asked (as well as Paulo César Pinheiro) to create lyrics for Francis Hime’s “Sinfonia Em fun??o de o Rio de Janeiro.”