George Devens will be the most widely recorded vibraphonist in music history, however, many from the tenants within the overpopulated subdivision of his discography simply involved whacking on the tambourine. This is the character from the undertaking for any studio percussionist, that is what Devens became within the middle-’50s pursuing his departure from your outfit of virtuoso pianist George Shearing. Devens began learning percussion with the original three-pronged fork of drum arranged, vibraphone, and theory. A Bronx son, Devens drummed with numerous local bands before fortunate break to getting into Shearing’s combo in 1954. This gig lasted significantly less than two years, nevertheless. By 1958 Devens’ fresh basis was as a residence musician for the CBS network, and he was also playing frequently on film soundtrack documenting sessions. All of this added up to fine area to maintain during the development of the pop documenting industry through following years, whether Devens was leaning on the vibraphone or sitting behind a conga drum. His existence on pop recordings instantly establishes a solid ’70s vibe: the cautiously, sometimes indulgently created pet projects including instrumental panoramas sometimes vastly more vibrant than the celebrities themselves, for instance Jim Croce, Neil Gemstone, and Melissa Manchester. Devens reaches his greatest when adding elegance to the currently sophisticated, such as for example R&B diva Esther Phillips. He also performed on most of the early Vehicle Morrison sides slice for the Bang! label. The percussionist’s surname is definitely treated to numerous variants in liner records: he turns up as George Devons, George Devins, etc; he in addition has been referred to as Debella Devens.