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George De Leon

The first trace from the name George De Leon in 20th century music history is a fellow whose function on low-sounding horns such as for example tuba and baritone horn anticipates the eventual usage of string bass for these functions. He’s connected with Jim Europe’s Culture Orchestra, several great curiosity historically, and not simply because the head wound up obtaining stabbed to loss of life with the drummer. There is certainly records of De Leon doing his thing on his “bass horn” from 1914, element of an interval when bandleader European countries proved helpful as musical movie director for the dance group of Vernon & Irene Castle. This romantic relationship and the European countries group’s importance towards the development of ballroom dance can’t be overstated. De Leon has on eight recordings originally released with the Victor label between past due 1913 as well as the springtime of 1914. The interesting instrumental lineup also contains four, occasionally five violins, a set of cello players, and a little woodwind ensemble. Five years afterwards, drummer Herbert Wright completed the murderous illusion of many a new player who rests atop the drum throne. Fortunately for De Leon, it had been Pal Gilmore who performed drums over the Victor periods — since, in the end, there’s a great possibility a drummer on the homicidal rampage might find yourself stabbing the bass participant aswell. The just connection between this George De Leon and two afterwards types — the psychologist and tenor saxophonist who operates the Phoenix Home and a Latin picker — is normally that three utilized NEW YORK as a bottom.

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