Talent scouts roamed America searching for musicians to record in the ’20s and ’30s, and elegant harmonica players such as for example George Clarke were only the sort of thing these were searching for. The theory was to reproduce, on recordings, the sort of music individuals were utilized to hearing performed at interpersonal events throughout their community. Clarke may have made a complete of three recordings, which have already been reissued on a set of harmonica compilations, Harp Blowers and Harmonica Blues. It really is a custom in blues scholarship or grant to attract conclusions predicated on track game titles and lyrics, the reference to a city or actually the name of the bridge sometimes assisting musicologists to discover a long-lost performer. While Clarke was by no means rediscovered pursuing his 1936 documenting sessions, the game titles of his items show that he either experienced some legal complications or just loved singing about individuals who do. “Court Home Blues” logically prospects to “Prisoner Blues,” and unfortunately results in actually “Even more Blues,” although regarding Clarke, there weren’t any. Perhaps a lack of actual talent was grounds. You will find harmonica gourmets who’ve dismissed these recordings to be not especially inventive, although there is absolutely no denying they represent a genuine cut of musical existence from the time.