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Georg Friedrich Kauffmann

Kauffmann was possibly the best German modern of J.S.Bach. He researched key pad music with Buttstett in Erfurt and key pad and structure with Alberti in Merseberg. In 1698 he was Alberti’s second as cathedral organist because of a debilitating problems for Alberti’s right hands. In 1710 Kauffmann became the cathedral organist upon Alberti’s loss of life and probably offered as the Kapellmeister aswell. A great number of of his compositions had been copied while he is at Merseberg. The individuals who copied many of the functions had been acquaintances of Bach so that it is for certain that these were acquainted with each others music. Kauffmann is at competition with Bach for the Kantorship in Leipzig, as had been others, but ultimately the position visited Bach. The composing of the pedagogical treatise by Kauffmann increases his efforts in the corpus of the annals of music. “Introduzzione alla musica antica et moderna, das ist: Eine ausfuhrliche Einleitung zur alten und neuen Wissenschaft der edlen Music” resolved general and particular guidelines for composing in the aged and the brand new design. His second, as well as perhaps most significant contribution was the “Harmonische Seelenlust.” It had been a assortment of body organ chorale preludes, the first ever to be achieved since 1624. It had been imperfect upon his loss of life but completed at the trouble of his wife with second option efforts by Walther and Zachow. Initially it was not really well-received but ultimately became a significant contribution to German body organ music; it had been utilized well in to the nineteenth hundred years. The task was seen as a its inclusion of ninety eight preludes that are brief in length, make use of duets and brief fughal themes, obvious and concise directions, sophisticated embellishments, and interesting dissonances and progressions. Kauffmann also utilized brief musical phrases in his vocal compositions, rhythmic liveliness, small multi-voiced elaboration, and regular usage of recitatives and arias. The previous were stylistically easy and the second option demonstrated a knowledge of proportionality aswell as interesting thematic devices.

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