Jirí Antonín Benda (later on Germanized to Georg Anton Benda) was the 3rd kid of Jan Jirí Benda (1686 – 1757), a community musician and weaver, and his wife, Dorota Brixi, offspring of the well-known musical family members. Georg and his old sibling Franz (Frantisek) will be the two most well-known of Jirí’s five musician kids. Georg became a significant Classical composer after participating in the Piarist senior high school in Kosmonos, Bohemia, and a Jesuit university in Jicin. In 1742, his restless sibling Franz discovered his lifetime work with Ruler Frederick the fantastic of Prussia, a significant music fan who needed all of those other Benda family members to come sign up for his musical establishment. Benda became a violinist in the Prussian courtroom orchestra. In 1750, he became Kapellmeister to Duke Friedrich III of Saxe-Gotha. Originally, he focused on cathedral and instrumental music as the regional clergy had obstructed any notion of developing a musical movie theater. However they relented for the birthday of Duchess Luise Dorothea in 1765, that occasion Benda composed his initial opera, Xindo reconnosciuto. This broke the glaciers, resulting in the production of varied brief Italian operas (known as intermezzos). Benda was delivered to Italy to review opera, returned, and wrote many well-known works. However, courtroom theatrics ended following the Duchess passed away in 1767. The Duke himself passed away in 1772, leading to Benda’s responsibilities as chapel music movie director being assigned somewhere else. He wedded and experienced seven children, many of them musically talented; the most well-known included in this was composer Friedrich Ludwig Benda. In 1774, the Seyler theatrical troupe found its way to Gotha and commissioned Benda to create music for his or her German stage functions. However, the business brought with it another composer who became the music movie director from the revived courtroom theatre. Benda resigned from your musical establishment from the Saxe-Gotha courtroom. He traveled to Hamburg, but didn’t get a work there. Then spent nearly all his amount of time in structure and raised the artwork of the melodrama, to a favorite type in German music. He also published German singspiels and adequate instrumental music, a lot of which became well-known. The majority of his compositions had been created after he was 50. He came back on the pension, eventually settling in Köstritz, where he passed away. Today, a few of his offspring, and also other descendants of Jirí Benda, still perform as the Benda Music artists.