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Geno Washington

Originally stationed in Britain for the environment Force through the early ’60s, American soul shouter Geno Washington fronted a Uk group referred to as the Ram Jam Music group for some moderate U.K. graph strikes during 1966-1967. Though he was created in Indiana, Washington acquired the grit of the deep spirit testifier like Wilson Pickett or Don Covay. While stationed in East Anglia, Washington became referred to as a regular stand-in at gigs around London. When guitarist Pete Gage noticed him in a membership in 1965, he asked Washington to become listed on his brand-new group with bassist John Roberts, drummer Supplement Prestige, organist Jeff Wright, Lionel Kingham on tenor sax, and Pal Beadle on baritone. Geno Washington remained in Britain after his discharge from the Surroundings Force, as well as the music group earned notice throughout the Southeast for an infectious live present that packed a large number of up-tempo R&B/spirit nuggets right into a half-hour. Agreed upon to Piccadilly by early 1966, the group simply broke in to the Best 40 with “Drinking water.” Though it had been their highest-charting one, Geno Washington as well as the Memory Jam Band strike the graphs three times within the next calendar year with “Hi-Hi Hazel,” a cover of “Que Sera Sera,” and “Michael.” The band’s first two LPs — Hands Clappin’ Feet Stompin’ Funky-Butt…Live! and Hipsters, Flipsters, Finger-Poppin’ Daddies! — had been much better paperwork of the music group at the job, and both strike the British TOP. Still, Geno Washington documented only two even more albums using the Ram memory Jam Music group before splitting by 1970. Gage continued to become listed on Vinegar Joe, while Washington came back in 1976 with Geno’s Back again! Four years later on, Washington gained his only number 1 hit (of the type), when Dexys Midnight Joggers got the tribute monitor “Geno” to the very best of the graphs. He documented another LP (RELEASED the Kitty) in 1981, and continuing to tour sporadically through the ’80s and ’90s, frequently incorporating a blues position and a hypnotism act.

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