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Geneviéve Letarte

Geneviéve Letarte can be an designer before being truly a singer. Her musical profession is only among the many facets she’s integrated to her artwork. A poet, novelist, lyricist, and overall performance designer, she actually is loosely from the Montreal avant-garde music collective Ambiances Magnétiques, but also with the poetry/spoken term picture (both francophone and anglophone). Her albums are few in number. Letarte was created in Quebec Town in 1955. At age group 20 she visited Paris to review literature and movie theater for just two years — at that time an obligatory sojourn for Quebecer intellectuals. She experienced already began to create for numerous literary mags (her name seems in La Vie en Rose, La Nouvelle Barre du Jour, Estuaire, Moebius, and the brand new York journal Bomb, amongst others). She released her professional profession in 1982 with her 1st interdisciplinary overall performance Transit Train station (also the name of her 1st book). Another year she offered Sirène Serpent Zoulou, a display of music and poetry with Serge Boisvert. Following that she developed an evergrowing desire for music. She briefly collaborated using the all-female group Wondeur Brass with which she distributed a feminist beliefs, but her 1st musical break arrived in 1987 when Ambiances Magnétiques member René Lussier asked her for the visitor appearance at his duo concert with guitarist Fred Frith on the Celebration International de Musique Actuelle de Victoriaville. Lussier and drummer Michel F. Côté (also of AM) helped her write, arrange, and make her first record Vous Seriez el Ange (“You would be an angel”), released in 1990 over the collective’s label. Through the following 10 years Letarte juggled composing, songwriting, and functionality art. She composed the lyrics to La Légende de la Pluie, a 1992 functionality and record by Justine, Tenko, and Zeena Parkins. She made an appearance on the Victo celebration (1990), the Vancouver Jazz Celebration (1995), and several poetry events in the us and European countries. 2000 found her focus once again on music, initial with a phrase/sound functionality with electro-acoustic musician Chantal Dumas, after that with a fresh Compact disc, Chansons d’un Jour, co-written with guitarist Claude Fradette (of Les 4 Guitaristes de l’Apocalypso-Bar).

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